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Wrathful deity Stock Photos and Images
RM2HB2670–Wrathful Deity, Hanging scroll, gouache on linen, Tibet, late 18th-19th century, 9 1/2 x 6 1/2 in., 24.1 x 16.5 cm, gouache, linen, scroll
RF2HK51H1–Inspired by Wrathful Deity, Hanging scroll, gouache on linen, Tibet, late 18th-19th century, 9 1/2 x 6 1/2 in., 24.1 x 16.5 cm, gouache, linen, scroll, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMEC8DKJ–The wrathful deity Cham mask worn by the dancing Tibetan Buddhist monks of Stok monastery in Ladakh India
RFCBT923–A wall painting of wrathful beings, probably aspects of Shri Devi, Palden Lhamo, the Glorious Goddess with her red hair.
RMEMDX2P–Statue of the wrathful deity Mahakala marked with colored powders at the religious Swayambhunath site in Kathmandu, Nepal
RF2K3P80M–Thangka, Tibetan Buddhist painting, Detail of 24490: Wrathful deity at upper right sMan-'brisser-ma, 18th century
RF2JHT4RE–Kansas City, Missouri July 16, 2022 - The Nelson-Atkins Museum of Art - Head of a Wrathful Deity - Japan 1185-1333
RMDXHG8A–Monk dancing the Cham dance wearing a Wrathful deity mask and costume typical of Tibetan Buddhist practice Ladakh India
RF2H5B52T–Set of Four Antique Tibetan or Mongolian Buddhist Tsakli Initiation Cards. 19th century or earlier
RF2DKFD0N–Pemayangtse, India - Dec 31, 2011: Dharmapala wrathful deity colorful wall painting, spiritual and ritual symbol of Buddhism, in Pemayangtse monastery
RF2DKFD93–Samstanling, India - June 23, 2012: Dharmapala wrathful deity colorful wall painting, spiritual and ritual symbol of Buddhism, in Samstanling monaster
RM2MX9888–Ourga, Mongolia devotion monuments with the effigy of a wrathful deity and a bodhisattva , 1913 - Mongolia - Stéphane Passet - (July 6-25)
RM2T6D1T1–Vajrabhairava with Vajravetali, 18th century. The enlightened wrathful deity Vajrabhairava, Buddhist conqueror of death, embraces his female partner, Vajravetali. His nine heads include that of a buffalo, the animal associated with the defeated god of death, and the crowning yellow face of Manjushri, bodhisattva of wisdom, with whom Vajrabhairava is associated. Vajrabhairava’s central crown of skulls is topped with images of five peaceful Buddhas, a reminder that his gruesome imagery, by forcing us to confront what we fear, ultimately supports the goal of enlightenment.
RM2TDA2KR–Ourga, Mongolia Devotional monuments depicting a wrathful deity and a bodhisattva, Religion, Animal, Art, Human beings, Buddhism, Sacred animal, Tibetan rite Buddhism, Represented animal, fantastic animal, Religious practice, Offering, Altar, Ex voto, Painting, Supernatural being, Bodhisattva, China, Ourga, Ex voto, Oulan-Bator, 01/07/1913 - 31/07/1913, Passet, Stéphane, photographer, 1913 - Mongolie, Mongolia - Stéphane Passet - (6-25 July), Autochrome, photo, Glass, Autochrome, photo, Positive, Horizontal, Size 9 x 12 cm
RF2HKK78W–Art inspired by Wrathful Deity, Hanging scroll, gouache on linen, Tibet, late 18th-19th century, 9 1/2 x 6 1/2 in., 24.1 x 16.5 cm, gouache, linen, scroll, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC6KEC–The Wrathful Bon Deity Walse Ngampa, One of the Five Fortress Meditational Deities, early 15th century
RFC7TP6R–Mural painting of a wrathful blue deity. Thikse Gompa, Monastery, Tikse, Tiksey, Thiksey, Thiksay. Thiksey, Ladakh,
RF2HW3756–Art inspired by The Wrathful Bon Deity Walse Ngampa, One of the Five Fortress Meditational Deities, early 15th century, Tibet, Ink, gold and opaque watercolor on cloth, 38 x 29 1/4 in. (96.5 x 74.3 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H7267A–A silk wall hanging of a Buddhist wrathful deity in the National Institute of the Thirteen Arts in Thimphu, Bhutan.
RF2JHT4PJ–Kansas City, Missouri July 16, 2022 - The Nelson-Atkins Museum of Art - Head of a Wrathful Deity - Japan 1185-1333
RMKEWC2B–August 29, 2015 - Friendship, harmony, a lofty mountain and a wrathful deity ''” these are the four things that Pang Lhabsol, an annual festival in Sikkim, is about. The peaceful hill-state was once torn apart by strife and enmity between the Lepchas and the Bhutias (of Tibetan origin). Locals believe that Pang Lhabsol was first celebrated sometime in the 13th century to mark the beginning of peaceful relations between the warring groups. Lepcha chief Thekongtek and Tibetan crown prince Khya Bumsa erected nine slabs at Kabilunchok (near Gangtok, the current capital), tied animal intestines aro
RMEC8DKC–The wrathful deity Cham mask worn by the dancing Tibetan Buddhist monks of Stok monastery in Ladakh India
RMPB1BB4–Sword Guard. Culture: Tibetan or Chinese. Dimensions: H. 3 1/4 in. (8.3 cm); W. 4 3/4 in. (12.1 cm). Date: 14th-15th century. Depicting the face of a wrathful Tibetan Buddhist guardian deity, this extremely rare sword guard was originally part of a complete and very lavish sword. It is from the peak period of Tibetan or Sino-Tibetan ironwork, coinciding with the rule of the Phagmodrupa kings in central Tibet and the Hongwu and Yongle dynasties in China. It is exceptional for the precision and crispness of its chiseling, punched work, and damascening; for the height of the raised decoration; a
RMDNR44C–The Head monk of Wanla monastery is painted black as the wrathful deity & protector Mahakala for the Cham ceremony in Ladakh
RF2DKFD9J–Samstanling, India - June 23, 2012: Dharmapala wrathful deity colorful wall painting, spiritual and ritual symbol of Buddhism, in Samstanling monaster
RMKWDJGK–CHAKRASAMVARA AND VAJRAVARAHI, Buddhist, Nepal, 1570-1600, painting, distemper on cotton. Buddhist deity, Chakrasamvara, embracing his consort, Vajravarahi. Chakrasamvara, has a blue figure, four faces and twelve hands. The main face is blue, left face red, back face yellow, and right face white (BSLOC 2017 16 15)
RM2M9445T–Wrathful Deity , late 18th-19th century. Hanging scroll, gouache on linen, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm). Asian Art late 18th-19th century
RM2B03ARK–Vajrapani, also known as Vajrasattva in Mahayana Buddhism, is one of the earliest of the bodhisattvas, and acts as the guide and protector of Gautama Buddha. In Mahayana Buddhism he is one of the earliest Dharmapalas (wrathful gods), and he is also acknowledged as a deity in the Pali Canon of Theravada Buddhism. He is directly worshipped in Tibetan Buddhism, and is extensively represented in Buddhist iconography.
![Abbots of the Ngor Monastery, late 16th century. The first two abbots of the Ngor Monastery in central Tibet, the older Sempa Chenpo and the younger Jamyang Sherab Gyatsho, engage in a lively conversation. They may be discussing the teachings of the "Hevajra Tantra": the wrathful deity Hevajra, united with his female partner, occupies the space between their flowered halos. Above Hevajra is the Buddha Vajradhara, the ultimate source of the tantra’s teachings, surrounded by members of the teaching lineage. The fifth figure on the left wears a red hat identical to that of the yo Stock Photo](https://c8.alamy.com/comp/2T6D1TA/abbots-of-the-ngor-monastery-late-16th-century-the-first-two-abbots-of-the-ngor-monastery-in-central-tibet-the-older-sempa-chenpo-and-the-younger-jamyang-sherab-gyatsho-engage-in-a-lively-conversation-they-may-be-discussing-the-teachings-of-the-quothevajra-tantraquot-the-wrathful-deity-hevajra-united-with-his-female-partner-occupies-the-space-between-their-flowered-halos-above-hevajra-is-the-buddha-vajradhara-the-ultimate-source-of-the-tantrax2019s-teachings-surrounded-by-members-of-the-teaching-lineage-the-fifth-figure-on-the-left-wears-a-red-hat-identical-to-that-of-the-yo-2T6D1TA.jpg "Abbots of the Ngor Monastery, late 16th century. The first two abbots of the Ngor Monastery in central Tibet, the older Sempa Chenpo and the younger Jamyang Sherab Gyatsho, engage in a lively conversation. They may be discussing the teachings of the "Hevajra Tantra": the wrathful deity Hevajra, united with his female partner, occupies the space between their flowered halos. Above Hevajra is the Buddha Vajradhara, the ultimate source of the tantra’s teachings, surrounded by members of the teaching lineage. The fifth figure on the left wears a red hat identical to that of the yo Stock Photo")
RM2T6D1TA–Abbots of the Ngor Monastery, late 16th century. The first two abbots of the Ngor Monastery in central Tibet, the older Sempa Chenpo and the younger Jamyang Sherab Gyatsho, engage in a lively conversation. They may be discussing the teachings of the "Hevajra Tantra": the wrathful deity Hevajra, united with his female partner, occupies the space between their flowered halos. Above Hevajra is the Buddha Vajradhara, the ultimate source of the tantra’s teachings, surrounded by members of the teaching lineage. The fifth figure on the left wears a red hat identical to that of the yo
RMMMX8XB–. This is the last painting of an eleven-painting set from Palpung monastery and dedicated to “The Eighty-four Great Tantric Adepts (Mahasiddhas). Especially interesting is the figure of the great adept Putalipa at top center, seated in a cave and gazing at an image of the meditational deity Samvara. The scene offers a view of a tantric Buddhist icon in use. Above in the sky are the white bodhisattva Samantabhadra and, below him, small, red wrathful figure Cakhavartin. The other figures can be identified as: the bodhisattva Samantabhadra; Darikapa; Putalipa; Upanaha; Kokilipa; Anangapa; Lakshm
RM2H1F0WD–HEMIS, INDIA - SEPTEMBER 4, 2011: Wall painting of Dharmapala - Tibetan Buddhism wrathful protector deity. Hemis gompa (monastery), Ladakh, India
RM2DEEBCF–The great Judge of hell. Yama is a dharmapala, wrathful god and king of hell. His duty is to judge the dead and rule the various hells and purgatories. Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879
RMAJP1FT–Vajrabhairawa wrathful deity statue Gelukpa school protector, tibetan buddhism, Thiksey monastery, Ladakh, India
RM2B035R4–Mahamayuri (Chinese: Kongque Mingwang, Japanese: Kujaku Myoo), is one of the Wisdom Kings in the Buddhist Pantheon. Mahamayuri is a peaceful personification, in contrast to the wrathful attitudes of male personifications of the Wisdom Kings. Mahamayuri had the power to protect devotees from poisoning, either physical or spiritual. In Vajrayana Buddhism, a Wisdom King (Sanskrit Vidyaraja, Chinese: Mingwang; Japanese pronunciation: Myoo) is the third type of deity after Buddhas and Bodhisattvas.
RMKEWC4H–August 29, 2015 - Friendship, harmony, a lofty mountain and a wrathful deity ''” these are the four things that Pang Lhabsol, an annual festival in Sikkim, is about. The peaceful hill-state was once torn apart by strife and enmity between the Lepchas and the Bhutias (of Tibetan origin). Locals believe that Pang Lhabsol was first celebrated sometime in the 13th century to mark the beginning of peaceful relations between the warring groups. Lepcha chief Thekongtek and Tibetan crown prince Khya Bumsa erected nine slabs at Kabilunchok (near Gangtok, the current capital), tied animal intestines aro
RMANFME6–Tibetan Buddhist Kalachakra thangka painting behind a shrine with butter lamps, tended by a monk Tibetan monk. Bodh Gaya, Bihar, India
RMPB4120–Chakrasamvara Mandala. Culture: Nepal. Dimensions: Image: 26 1/2 x 19 3/4 in. (67.3 x 50.2 cm); Framed: 48 x 33 in. (121.9 x 83.8 cm). Date: ca. 1100. This ritual diagram (mandala) is conceived as the cosmic palace of the wrathful Chakrasamvara and his consort, Vajravarahi, seen at center. These deities embody the esoteric knowledge of the Yoga Tantras. Six goddesses on stylized lotus petals surround the divine couple. Framing the mandala are the eight great burial grounds of India, each presided over by a deity beneath a tree. The cemeteries are appropriate places for meditation on Chakrasam
RMDNR49P–Monk stands whilst being prepared & body painted as Mahakala the wrathful deity for the Cham dance at Matho monastery Ladakh
RMA018P2–Red wrathful buddhist deity with consort yab yum mural painting Namchi Nyingma monastery Sikkim India
RF2DKFDA1–Samstanling, India - June 23, 2012: Dharmapala wrathful deity colorful wall painting, spiritual and ritual symbol of Buddhism, in Samstanling monaster
RM2T90P01–Thangka of Vajrakila and Diptachakra, late 19th century, 33 3/8 x 20 7/16 in. (84.77 x 51.91 cm) (image), Ink colors and gold on sized cotton, Tibet, 19th century, In Tibetan Buddhist practice, buddhas and bodhisattvas can express both benevolent and wrathful sides. Vajrakila is a wrathful form of the Cosmic Buddha Vajrasattva, a purifying force who valiantly tramples obstacles on the path to enlightenment. Vajrakila is shown in the center, in union with the female deity Diptachakra, who represents wisdom. The focal meditational deity is surrounded by 10 miniature Vajrakila images
RF2HTT80C–Art inspired by Sword Guard, 14th–15th century, Tibetan or Chinese, Iron, gold, silver, copper, H. 3 1/4 in. (8.3 cm); W. 4 3/4 in. (12.1 cm), Swords, Depicting the face of a wrathful Tibetan Buddhist guardian deity, this extremely rare sword guard was originally part of a complete and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKWDM7G–CHAKRASAMVARA AND VAJRAVARAHI, Buddhist, Nepal, 1570-1600, painting, distemper on cotton. Buddhist deity, Chakrasamvara, embracing his consort, Vajravarahi. Chakrasamvara, has a blue figure, four faces and twelve hands. The main face is blue, left face red, back face yellow, and right face white (BSLOC 2017 16 15)
RM2HFFT4M–Painted Banner (Thangka) with Guru Dragpur, a Wrathful Form of Padmasambhava, 18th/19th century.
RF2FN4ENN–Statue of a Shinto deity in a Japanese mausoleum. Red statue of Nio, the guardian god. Buddhism, spirituality and Japanese tradition.
RMMMMKW8–. English: Chakrasamvara Mandala. Thakuri–Early Malla periods, Nepal, Kathmandu Valley. 26 1/2 x 19 3/4 in. (67.3 x 50.2 cm). This ritual diagram (mandala) is conceived as the cosmic palace of the wrathful Chakrasamvara and his consort, Vajravarahi, seen at center. These deities embody the esoteric knowledge of the Yoga Tantras. Six goddesses on stylized lotus petals surround the divine couple. Framing the mandala are the eight great burial grounds of India, each presided over by a deity beneath a tree. The cemeteries are appropriate places for meditation on Chakrasamvara and are emblematic o
RM2H1F0TB–HEMIS, INDIA - SEPTEMBER 4, 2011: Wall painting of Dharmapala - Tibetan Buddhism wrathful protector deity. Hemis gompa (monastery), Ladakh, India
RM2E3C57P–The great Judge of hell. Yama is a dharmapala, wrathful god and king of hell. His duty is to judge the dead and rule the various hells and purgatories. Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879
RMAJP1FP–Vajrabhairawa wrathful deity statue Gelukpa school protector, tibetan buddhism, Thiksey monastery, Ladakh, India
RMKEWC49–August 29, 2015 - Friendship, harmony, a lofty mountain and a wrathful deity ''” these are the four things that Pang Lhabsol, an annual festival in Sikkim, is about. The peaceful hill-state was once torn apart by strife and enmity between the Lepchas and the Bhutias (of Tibetan origin). Locals believe that Pang Lhabsol was first celebrated sometime in the 13th century to mark the beginning of peaceful relations between the warring groups. Lepcha chief Thekongtek and Tibetan crown prince Khya Bumsa erected nine slabs at Kabilunchok (near Gangtok, the current capital), tied animal intestines aro
RMPANP6N–Mask of Bhairava. Culture: India (Jammu and Kashmir, ancient kingdom of Kashmir). Dimensions: H. 7 5/8 in. (19.4 cm); W. 5 1/4 in. (13.3 cm); D. 2 3/8 in. (6 cm). Date: late 6th-7th century. This object is from a rare group of early Brahmanical masks. The small fangs seen rising from the corners of the open mouth and the exposed upper teeth identify this deity as Bhairava, a wrathful form of Shiva. Such masks were employed as temporary fixtures during worship and used to enliven processional icons in the Brahmanical cultures of northwestern India and the territories of Gandhara in Pakistan. M
RMW8037W–Painting of wrathful or guardian deity,Serxu, Shiqu county, Sichuan Province, Qinghai-Tibet Plateau, China.
RF2DKFD8T–Samstanling, India - June 23, 2012: Dharmapala wrathful deity colorful wall painting, spiritual and ritual symbol of Buddhism, in Samstanling monaster
RM2HHR91B–The Wrathful Bon Deity Walse Ngampa, One of the Five Fortress Meditational Deities early 15th century Tibet. The Wrathful Bon Deity Walse Ngampa, One of the Five Fortress Meditational Deities. Tibet. early 15th century. Ink, gold and opaque watercolor on cloth. Paintings
RM2HH3W5H–Vajravarahi ca. 17th century Tibet Vajravarahi, a major deity in the Vajrayana tradition, witnesses the merging of Hindu iconography in the expanded Buddhist pantheon. This wrathful goddess has evolved from Varahi, one of the fearsome seven mother goddess of Hinduism, the Matrikas. Here she has lost the projecting boar head of earlier versions that linked her with Vishnu’s boar avatar Varaha.. Vajravarahi. Tibet. ca. 17th century. Gilt-copper alloy inlaid with semiprecious stones. Sculpture
RM2AX1BGX–The Wrathful Bon Deity Walse Ngampa, One of the Five Fortress Meditational Deities, early 15th century.
RF2FN4E92–Statue of a Shinto deity in a Japanese mausoleum. Red statue of Nio, the guardian god. Buddhism, spirituality and Japanese tradition.
RM2HGNF48–White Mahakala ca. 18th century Tibet This painting is dedicated to Shadbuja Sita Mahakala, the White Mahakala, a wealth deity invoked widely by Tibetan Buddhists to ensure prosperity. Mahakala is depicted with three wide glaring and fearsome eyes, and six arms wielding power weapons. The wrathful protector is surrounded by an array of auspicious and protective deities, presided over by the five Transcendent Buddhas.. White Mahakala. Tibet. ca. 18th century. Distemper on cotton. Paintings
RM2WD1RAM–Tibet: Painting of Yama, the King of Hell, mid-17th century. Private Collection. In East Asian mythology, Yama is a dharmapala (wrathful god) and King of Hell. It is his duty to judge the dead and rule over the various hells and purgatories, presiding over the cycle of samsara (cyclic, circuitous change). Yama has spread from being a Hindu god to finding roles in Buddhism as well as in Chinese, Korean and Japanese mythology.
RM2DT97N2–THIMPHU, BHUTAN - DEC 10 2019 - Wrathful Tsholing terrifying deities seen as protectors of the religion, and who purify the ground of evil influenc
RM2WD1RAW–Tibet: Statue of Yama, the King of Hell. American Museum of Natural History, New York. Photo by Daderot. In East Asian mythology, Yama is a dharmapala (wrathful god) and King of Hell. It is his duty to judge the dead and rule over the various hells and purgatories, presiding over the cycle of samsara (cyclic, circuitous change). Yama has spread from being a Hindu god to finding roles in Buddhism as well as in Chinese, Korean and Japanese mythology.
RMB04MJ1–TIBETAN BUDDHIST MURAL on TANTRIC WRATHFUL DIETY in the TEMPLE at NAWAL NGAWAL on the AROUND ANNAPURNA TREK ANNAPURNA
RM2WD1RA4–Mongolia: An ink and mineral print on canvas of Yama, the King of Hell, 19th century, Warsaw National Museum In East Asian mythology, Yama is a dharmapala (wrathful god) and King of Hell. It is his duty to judge the dead and rule over the various hells and purgatories, presiding over the cycle of samsara (cyclic, circuitous change). Yama has spread from being a Hindu god to finding roles in Buddhism as well as in Chinese, Korean and Japanese mythology.
RF2GY19MM–Tsholing cham wrathful deities dance to purify the ground of evil influences at Nalakar Tsechu
RMKEWC48–August 29, 2015 - Friendship, harmony, a lofty mountain and a wrathful deity ''” these are the four things that Pang Lhabsol, an annual festival in Sikkim, is about. The peaceful hill-state was once torn apart by strife and enmity between the Lepchas and the Bhutias (of Tibetan origin). Locals believe that Pang Lhabsol was first celebrated sometime in the 13th century to mark the beginning of peaceful relations between the warring groups. Lepcha chief Thekongtek and Tibetan crown prince Khya Bumsa erected nine slabs at Kabilunchok (near Gangtok, the current capital), tied animal intestines aro
RM2WD1RAR–Mongolia: Bronze statue of Yama, the King of Hell, 19th century. Royal Museums of Art and History, Brussels. Photo by Vassil. In East Asian mythology, Yama is a dharmapala (wrathful god) and King of Hell. It is his duty to judge the dead and rule over the various hells and purgatories, presiding over the cycle of samsara (cyclic, circuitous change). Yama has spread from being a Hindu god to finding roles in Buddhism as well as in Chinese, Korean and Japanese mythology.
RMPAPAC6–Guru Dragpo. Culture: Tibet. Dimensions: Image: 24 in. × 17 1/2 in. (61 × 44.5 cm) Framed: 33 1/16 × 25 13/16 in. (84 × 65.5 cm). Date: 18th century. Guru Dragpo, a fierce emanation of the guru-saint Padmasambhava, stands astride a flaming aureole holding a ritual tool, the vajra, and a black scorpion. The skin of a tiger is drawn around his waist while the flayed skin of an elephant is draped over his shoulders. He wears a crown adorned with skulls and a garland of severed heads. In this wrathful meditational form, Guru Dragpo was an important protector deity of the Nyingma School of Tibeta
RMW8037T–Carving of wrathful or guardian deity, Serxu, Shiqu county, Sichuan Province, Qinghai-Tibet Plateau, China. August 2010.
RM2B036XW–In East Asian mythology, Yama is a dharmapala (wrathful god) and King of Hell. It is his duty to judge the dead and rule over the various hells and purgatories, presiding over the cycle of samsara (cyclic, circuitous change). Yama has spread from being a Hindu god to finding roles in Buddhism as well as in Chinese, Korean and Japanese mythology. Yama's role in Theravada Buddhism is vague and not well defined, though he is still a caretaker of hell and the dead. He judges those who die to determine if they are to be reborn to earth, to the heavens or to the hells. Sometimes there are more than
RF2DKFD7N–Samstanling, India - June 23, 2012: Yamantaka dharmapala wrathful deity colorful wall painting, with bhavacakra and six realms of Saṃsara in Buddhist
RMBBK19X–Yamantaka Wrathful Buddhist Deity Namdroling Tibetan Monastery Bylakuppe Koorg Karnataka India
RF2DKFCKE–Ralang, India - Dec 29, 2011: Dharmapala wrathful deity colorful wall painting, spiritual and ritual symbol of Buddhism, in Ralang monastery, Sikkim,
RF2HTTC9R–Art inspired by Vajravarahi, ca. 17th century, Tibet, Gilt-copper alloy inlaid with semiprecious stones, H. 5 1/2 in. (14 cm); W. 4 1/2 in. (11.4 cm); D. 3 5/8 in. (9.2 cm); Wt. 2 lbs (.9 kg), Sculpture, Vajravarahi, a major deity in the Vajrayana tradition, witnesses the merging of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HH0BMA–Chakrasamvara Mandala ca. 1100 Nepal This ritual diagram (mandala) is conceived as the cosmic palace of the wrathful Chakrasamvara and his consort, Vajravarahi, seen at center. These deities embody the esoteric knowledge of the Yoga Tantras. Six goddesses on stylized lotus petals surround the divine couple. Framing the mandala are the eight great burial grounds of India, each presided over by a deity beneath a tree. The cemeteries are appropriate places for meditation on Chakrasamvara and are emblematic of the various realms of existence. The lower register contains five forms of the goddess T
Search Results for Wrathful deity Stock Photos and Images (210)
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