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Cavetto Stock Photos and Images
RMD98PWT–Marble sphinx on a cavetto capital. Greek, Attic, Archaic. ca. 580–575 B.C. Stone Sculpture
RF2HTWPM2–Art inspired by Marble cavetto capital, Archaic, mid-6th century B.C., Greek, Attic, Marble, Hymettian, H. 24 15/16 in. (63.3 cm), Stone Sculpture, This capital was part of a funerary or votive stele; it surmounted a tall shaft and supported a separately carved finial—presumably a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMP954–Plate, Glass, Round with prismatic cutting under center, faceting at cavetto, diamond band around rim and notched border., Europe, ca. 1810–20, glasswares, Decorative Arts, Plate
RMP6EN9P–Grecian and Roman architectural mouldings. Greek fillet listel annulet, cyma recta, fascia, echinus ovolo, talon enriched, astragal, Doric, cavetto and torus, and Roman Scotia, cantaliver and Corinthian modillion. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
RM2A7BR73–Grecian and Roman architectural mouldings. Greek fillet listel annulet, cyma recta, fascia, echinus ovolo, talon enriched, astragal, Doric, cavetto and torus, and Roman Scotia, cantaliver and Corinthian modillion. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
![Painted plaster ornament, France, 18th century, (1898). 'Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]. Figs 2 and 3: Carved pilaster from the wainscot of a saloon at Paris, style of Louis XVI [c1774-1792]. Fig 4: Painted frieze from the boudoir of Queen Marie Antoinette in the Castle at Fontainebleau, style of Louis XVI. Fig 5: Panel of a stucco cavetto at a ceiling of a saloon at Paris, style of Louis XVI. Fig 6. Carved wall panel above a saloon door in the Hôtel de Ville at Bordeaux, style of Louis XVI..."Zopfst Stock Photo](https://c8.alamy.com/comp/2AG0G04/painted-plaster-ornament-france-18th-century-1898-fig-1-wood-carving-on-a-wainscot-in-the-music-room-of-the-arsenal-library-at-paris-style-of-louis-xv-c1715-1774-figs-2-and-3-carved-pilaster-from-the-wainscot-of-a-saloon-at-paris-style-of-louis-xvi-c1774-1792-fig-4-painted-frieze-from-the-boudoir-of-queen-marie-antoinette-in-the-castle-at-fontainebleau-style-of-louis-xvi-fig-5-panel-of-a-stucco-cavetto-at-a-ceiling-of-a-saloon-at-paris-style-of-louis-xvi-fig-6-carved-wall-panel-above-a-saloon-door-in-the-hxf4tel-de-ville-at-bordeaux-style-of-louis-xviquotzopfst-2AG0G04.jpg "Painted plaster ornament, France, 18th century, (1898). 'Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]. Figs 2 and 3: Carved pilaster from the wainscot of a saloon at Paris, style of Louis XVI [c1774-1792]. Fig 4: Painted frieze from the boudoir of Queen Marie Antoinette in the Castle at Fontainebleau, style of Louis XVI. Fig 5: Panel of a stucco cavetto at a ceiling of a saloon at Paris, style of Louis XVI. Fig 6. Carved wall panel above a saloon door in the Hôtel de Ville at Bordeaux, style of Louis XVI..."Zopfst Stock Photo")
RM2AG0G04–Painted plaster ornament, France, 18th century, (1898). 'Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]. Figs 2 and 3: Carved pilaster from the wainscot of a saloon at Paris, style of Louis XVI [c1774-1792]. Fig 4: Painted frieze from the boudoir of Queen Marie Antoinette in the Castle at Fontainebleau, style of Louis XVI. Fig 5: Panel of a stucco cavetto at a ceiling of a saloon at Paris, style of Louis XVI. Fig 6. Carved wall panel above a saloon door in the Hôtel de Ville at Bordeaux, style of Louis XVI..."Zopfst
RMD98PWK–Marble sphinx on a cavetto capital. Greek, Attic, Archaic. ca. 580–575 B.C. Stone Sculpture
RMMAKRCN–Cavetto or Scotia molding plane, made by Sheridan C. Hunt and James R. Wiseman in St. Louis, Missouri. Title: Molding Plane Made by Hunt & Wiseman . between 1850 and 1860. Hunt & Wiseman
RFR6CN0N–A Cavetto cornice with a winged sun, a symbol associated with divinity, royalty and power in the ancient Egypt, at the Temple of Kom Ombo, Egypt.
RMMMX8G2–. English: The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes. The rectangular, shrine shaped pectoral has a large scarab in the center. The front displays an adoration scene scarab and baboons in a sun barque. The shrine has a cavetto cornice at the top with an incised winged sun disk (painted red), and a base with lotus flower frieze (in red and blue). The central scene is additionally framed on the top and side by a color key
RF2HW4A5J–Art inspired by Marble sphinx on a cavetto capital, Archaic, ca. 580–575 B.C., Greek, Attic, Marble, H. with akroterion 28 3/8 in. (72 cm), Stone Sculpture, Inscribed on the plinth, I am the monument of ...linos. This sphinx and capital once crowned the tall grave shaft of a youth or, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DN052P–Plate, glass, Round with prismatic cutting under center, faceting at cavetto, diamond band around rim and notched border, Europe, ca. 1810–20, glasswares, Decorative Arts, Plate
RF2HW968G–Art inspired by Reconstruction of a Cavetto Cornice, New Kingdom, Dynasty 18, ca. 1390–1353 B.C., From Egypt, Upper Egypt, Thebes, Malqata, Temple of Amun, on floor of rooms in southwest corner, 1916–17, Faience, modern plaster and gold paint, H. 25.7 cm (10 1/8 in.); w. 35.4 cm (13 15, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCD0MY–Marble cavetto capital, Archaic, mid-6th century B.C., Greek, Attic, Marble, Hymettian, H. 24 15/16 in. (63.3 cm), Stone
RMPAB25F–Marble cavetto capital. Culture: Greek, Attic. Dimensions: H. 24 15/16 in. (63.3 cm). Date: mid-6th century B.C.. This capital was part of a funerary or votive stele; it surmounted a tall shaft and supported a separately carved finial--presumably a sphinx. The cavetto capital has a more elongated shape than the earlier example exhibited nearby. Museum: Metropolitan Museum of Art, New York, USA.
RM2DN33CC–Pair of platters, Silver-plated brass, Oval bowls with fluted cavetto. Flat marly with raised edge and a decorated with single and symmetrically opposed acanthus leaves., France, ca. 1730, metalwork, Decorative Arts, Pair of platters
RM2BMR0WW–The rock cut facade of Tomb BD 825, decorated with five steps facing each other and a cavetto cornice, with a plain attic and main entablature
RM2BF61JP–Plate. Round with prismatic cutting under center, faceting at cavetto, diamond band around rim and notched border.
RF2HW43X3–Art inspired by Limestone finial of a funerary stele with two seated lions, Archaic, ca. 550–526 B.C., Cypriot, Limestone, H.: 23 1/2 x 35 1/2 in., 9.5 cm (59.7 x 90.2 x 9.5 cm), Stone Sculpture, Two lions sit back to back on a cavetto finial decorated with a disk and a crescent, the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B74HKY–Cavetto A roman moulding, consists of a quarter circle, with a sunk fillet below, quarter circle is without instead of within the moulding, vintage l
RF2H83AXJ–Ancient Egyptian stela of Amenhotep, 1304-190 BC, 19th Dynasty, Saqquara. Kunsthistorisches Muesum Vienna AS 178. Rectangular stela with a cavetto co
RM2AG0HRG–Persian architectural ornament, (1898). 'Fig 1: Upper part of a minaret from the mosque Mesdjid-i-Chah. Figs 2-5: Bases and capitals of columns. Fig 6: Wall-border from the portal building of the mosque Mesdjid-i-Chah. Fig 7: Decorated cavetto from the same. Fig 8: Pierced stone window-frame (belonging to Fig 12). Fig 9: Wall-border. Figs 10 and 11: Spandrels from the College Medresseh-Maderi-Chah-Sultan-Hussein. Fig 12: Pierced stone window-arch (the dotted ground means stained glass). Fig 13: Entablature from the Pavilion Tchehel-Soutoun. Fig 14: Stalactite vault from the Pavilion of the eig
RM2WP2CE7–Cavetto cornice; III-IV century (Meroic period) (200-00-00-00-400-00-00);Faras (Sudan), Solar Drive (iconogr.), Nubian craft, ureusz (iconogr.), Polish excavations in Faras (Sudan)
RMMMX8G0–. English: The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes. The rectangular, shrine shaped pectoral has a large scarab in the center. The front displays an adoration scene scarab and baboons in a sun barque. The shrine has a cavetto cornice at the top with an incised winged sun disk (painted red), and a base with lotus flower frieze (in red and blue). The central scene is additionally framed on the top and side by a color key
RM2W94TPE–Shards of signs from the wreck of the East Indians Hollandia, Anonymous, 1700 - in Or Before 1743 plate (dishes) Porcelain, plate, type 2; fragm of base, centre with cavetto and rim fragm, circular footring. Netherlands porcelain Second
RM2GG60JN–Grade II listed office building Adelaide House Grade II by London Bridge in Art Deco style with Egyptian influence, London, UK
![. An encyclopaedia of architecture, historical, theoretical, & practical. New ed., rev., portions rewritten, and with additions by Wyatt Papworth. tying together the risers and treads of the internal angles of the steps; andfrom the internal angles being hollow, excejjt at the ends, which terminate by the wall atone extremity, and by the bracket at the otlier, there is an appearance of incom])lete finish.The cavetto or hollow is carried all round the front of the slip, returned at the end, andagain at the end of the bracket, thence along the inside of it, and then along the internalangle at th Stock Photo](https://c8.alamy.com/comp/2AG3AFJ/an-encyclopaedia-of-architecture-historical-theoretical-practical-new-ed-rev-portions-rewritten-and-with-additions-by-wyatt-papworth-tying-together-the-risers-and-treads-of-the-internal-angles-of-the-steps-andfrom-the-internal-angles-being-hollow-excejjt-at-the-ends-which-terminate-by-the-wall-atone-extremity-and-by-the-bracket-at-the-otlier-there-is-an-appearance-of-incom-lete-finishthe-cavetto-or-hollow-is-carried-all-round-the-front-of-the-slip-returned-at-the-end-andagain-at-the-end-of-the-bracket-thence-along-the-inside-of-it-and-then-along-the-internalangle-at-th-2AG3AFJ.jpg ". An encyclopaedia of architecture, historical, theoretical, & practical. New ed., rev., portions rewritten, and with additions by Wyatt Papworth. tying together the risers and treads of the internal angles of the steps; andfrom the internal angles being hollow, excejjt at the ends, which terminate by the wall atone extremity, and by the bracket at the otlier, there is an appearance of incom])lete finish.The cavetto or hollow is carried all round the front of the slip, returned at the end, andagain at the end of the bracket, thence along the inside of it, and then along the internalangle at th Stock Photo")
RM2AG3AFJ–. An encyclopaedia of architecture, historical, theoretical, & practical. New ed., rev., portions rewritten, and with additions by Wyatt Papworth. tying together the risers and treads of the internal angles of the steps; andfrom the internal angles being hollow, excejjt at the ends, which terminate by the wall atone extremity, and by the bracket at the otlier, there is an appearance of incom])lete finish.The cavetto or hollow is carried all round the front of the slip, returned at the end, andagain at the end of the bracket, thence along the inside of it, and then along the internalangle at th
RMPAKXA2–Reconstruction of a Cavetto Cornice. Dimensions: H. 25.7 cm (10 1/8 in.); w. 35.4 cm (13 15/16 in.). Dynasty: Dynasty 18. Reign: reign of Amenhotep III. Date: ca. 1390-1353 B.C.. This is a reconstruction of a small section of cavetto cornice, an architectural feature usually found above temple doors and around the upper edges of shrines. A large section of the original cornice was found lying on the floor in storage rooms at the southwest corner of the Temple of Amun at the site of Malqata during the Museum's excavations in 1917. The original was made of faience tiles and gilded plaster atta
RM2DMYNH9–Dish, Glass, Oval dish with wide rim scalloped at the edge, star cut at center, cavetto with facets, the rim cut with flat diamond pattern, glass clear and heavy., Ireland, ca. 1790, glasswares, Decorative Arts, Dish
RM2CGJH5X–A sphinx in front of an Egyptian style mausoleum of circus owner Andrew Duncrow at Kensal Green Cemetery, London, UK
RM2BF61GP–Plate. Round with prismatic cutting under center, faceting at cavetto, diamond band around rim and notched border
RF2HW440W–Art inspired by Limestone finial of a funerary stele with two recumbent lions, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 13 1/4 x 24 1/2 x 7 in. (33.7 x 62.2 x 17.8 cm), Stone Sculpture, The cavetto finial is decorated with a winged disk; on the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2H83DPA–Ancient Egyptian stela of Amenhotep, 1304-190 BC, 19th Dynasty, Saqquara. Kunsthistorisches Muesum Vienna AS 178. Rectangular stela with a cavetto co
RF2B9AY1M–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm of rim with cavetto, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5 cm × w 6.2 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2FN0J0R–Hegra Tomb BD 70 with sets of five steps, mouldings, attic above classical entablature, supported by pilasters, Street of Facades, Petra, Jordan
RMRTCT2F–Details of windows in former Aberdeen Telephone Exchange, Edwardian architecture by Leonard Stokes 1908-09
RM2W94MX6–Sharf of a sign from the wreck of the East Indians Hollandia, Anonymous, 1700 - in Or Before 1743 plate (dishes) Porcelain, plate, type 2; fragm of rim with cavetto, sim. NG 1980-27H507/2624h. Netherlands porcelain Second
RMKNAM2Y–Cavetto Tile from the palace of Ramesses II MET 35.1.22-GC Cavetto Tile from the palace of Ramesses II MET 35.1.22-GC /548442
RM2AWX75Y–An attempt to discriminate the styles of architecture in England, from the conquest to the reformation : with a sketch of the Grecian and Roman orders . Mi>iii iiiii ^i.ni.imiiiii.iiiiiiTinnmr Erectieum, Atliens. l1HliWlllnlliiKl ...i: .Ill Jiii^ili.rinMi.lllilillEEEilil Temple on the Ilissus. ROMAN IONIC.. Aqueduct of Hadrian, Atliens. Temple of Fortuna Virilis, Rome. IONIC OKDER. 25 modilllon, which is often filled with a flower. The bedmouldbelow is generally an ovolo, fillet, and cavetto. This modillion cornice is, in fact, as well as the capital, ratherItalian than Roman, as the ancien
RMPA8N1Y–Dish. Dimensions: H. 3 in. (7.62 cm) Diam. 15 1/2 in. (39.4 cm). Date: mid-16th century. One of the most spectacular Iznik pieces in the Museum's collection, this saucer-shaped dish displays a palette of rich blue and bright turquoise characteristic of early Iznik ceramics. The floral scrolls on the cavetto are inspired by fifteenth-century Chinese celadon ware. Museum: Metropolitan Museum of Art, New York, USA.
RM2DN16BW–Dish, Glass, Oval dish with wide rim scalloped at the edge, star cut at center, cavetto with facets, rim cut with flat diamond pattern, glass clear and heavy., possibly Cork, Ireland, ca. 1790, glasswares, Decorative Arts, Dish
RM2A2KTX6–Dish with Lobed Cavetto and Foliate Rim, Song dynasty (960–1279), 11th/12th century, China, Qingbai ware, glazed porcelain, H. 2.0 cm (13/16 in.), diam. 10.7 cm (4 3/16 in
RF2G9TAT2–Carreras Cigarette Factory, an art deco building of early 20th Century Egyptian Revival architecture.
RM2DMF38E–Platter, Tin-glazed earthenware, Irregular scalloped border, oval cavetto. Decoration in Chinese style. Double cornucopia with flowers, large insects and a long-tailed bird, possibly Sinceny, France, possibly Rouen, France, mid- 18th century, ceramics, Decorative Arts, Platter
RM2BF5AMD–Pair of platters. Oval bowls with fluted cavetto. Flat marly with raised edge and a decorated with single and symmetrically opposed acanthus leaves.
RMW56JW9–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm of rim with cavetto, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5 cm × w 6.2 cm × d 0.5 cm
RM2BTX6P1–Fruit or Dessert Plate with Disheveled Birds. Research in ProgressScalloped edge with green feather motif. Fluted cavetto. At center, a tropical bird.
RM2DMRXGX–Pitcher, Moulded and thrown unglazed stoneware (Black Basalt), encaustic silver decoration, Semi ovoid, with simple molded foot, cavetto shoulder. Outward curving lip and flattened strap handle. Silver band about base of foot, silver vine about shoulder, silver dotting on handle and silver line about opening edge., England, late 18th century, ceramics, Decorative Arts, Pitcher
RM2BF2JXE–Platter. Irregular scalloped border, oval cavetto. Decoration in Chinese style. Double cornucopia with flowers, large insects and a long-tailed bird
RF2H838YX–Ancient Egyptian stela of Amenhotep, 1304-190 BC, 19th Dynasty, Saqquara. Kunsthistorisches Muesum Vienna AS 178. Rectangular stela with a cavetto co
RM2BF52AP–Dish. Oval dish with wide rim scalloped at the edge, star cut at center, cavetto with facets, the rim cut with flat diamond pattern, glass clear and heavy.
RF2B9AYAT–Shards of a plate from the wreck of the East Indiesman Hollandia, Porcelain, plate, fragment, fragm of cavetto, decorated with diaper pattern and flowers, set off with a double band, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4 cm × w 5 cm × d 2 cm × h 3 cm × w 5 cm × d 0.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed
RM2W94KDW–Shards of a sign from the wreck of the East Indians Hollandia, Anonymous, 1700 - in Or Before 1743 plate (dishes) Porcelain, plate, fragment; fragm of cavetto, decorated with diaper pattern and flowers, set off with a double band. Netherlands porcelain Second
RMPG04TW–. The Victoria history of the county of Hertford. Natural history. ) 1 The Town Hoi arly dat It is roughly porch of two is which only front. It is â The entrance door is evidently part of the original house. It is of oak, and has four panels the full height SO [JJJi (tvrtw O Macaw. of the door with pointed arched heads filled with cusping. The moulding is a simple cavetto. On the door is an excellently designed late 17th-century 1 In 1657 there were houses afterwards pulled down {East H, To the left of the entrance is now a sitting room with oak panelling of the Jacobean period, which apparent
RFC945C7–Working, Mens, Institute, Building Frontage, Working Mens Club, Cream and green, Green Lettering, Historical Building
RM2AM176A–The castellated and domestic architecture of Scotland, from the twelfth to the eighteenth century . eet above the ground, and is narrow, the jambs having a cavetto mould- FOURTH PERIOD 352 TERRINGZEAN CASTLE ing round them. The access to the dooi has been movable, as two corbelsprojected from the wall to support the platt, one of which still remains.The existing old windows are few and small; others, along with fireplaces,would be obliterated in making the large openings, &c. In the west side there, is inserted above the apex of the large panel asquare stone with the Eglinton arms cut on it (s
RF2G9TAGM–Carreras Cigarette Factory, an art deco building of early 20th Century Egyptian Revival architecture.
RM2DMW9HG–Plate, Tin-glazed earthenware, Circular plate with deep cavetto, standing on short foot rim; painted in underglaze blue on white with overall scene of 4 figures in landscape (two seated, two standing), 2 large trees on right, a windmill and onion-domed tower background, spongework leaves., Delft, Netherlands, ca. 1720–40, ceramics, Decorative Arts, Plate
RF2H83EB8–Ancient Egyptian stela of Amenhotep, 1304-190 BC, 19th Dynasty, Saqquara. Kunsthistorisches Muesum Vienna AS 178. Rectangular stela with a cavetto co
RM2BCYXM2–Plate. Research in ProgressStraight marly with shaped edge, with underglaze blue line. Sprigs of flowers in underglaze blue in cavetto and on marly. Plate
RF2B9B00K–Shards of plates from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm of base, center with cavetto and rim fragm, circular footring, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 6.6 cm × w 6.3 cm × d 1.2 cm × h 4.9 cm × w 4.7 cm × d 1.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu
RM2WJT657–Plat en grs cladian longquan '. Cramic. DBUT DISASTIE MING (1668-1644). Paris, Museum Cernuschi. Central medallion decorated with two fish; Cavetto gnawed with a very stylized vegetable firms Asian art, Ceudon, Ceramic, Ming, Gres, dish dynasty
RF2HW2A1W–Art inspired by Marble-slab table, 1750–70, Made in New York, New York, United States, American, Mahogany, white oak, sweet gum, white pine, marble, 29 x 39 1/2 x 24 1/4 in. (73.7 x 100.3 x 61.6 cm), Furniture, A New York attribution for this table is supported by its Verplanck family, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HJ2EDT–Limestone finial of a funerary stele with two seated lions ca. 550–526 B.C. Cypriot Two lions sit back to back on a cavetto finial decorated with a disk and a crescent, the points of which turn downward. The lions’ heads are turned toward the viewer, their mouths open and tongues extended.. Limestone finial of a funerary stele with two seated lions 242415
RF2HW3CE9–Art inspired by Footed Dish with Equestrian Hunting Scene, ca. 8th century, Central Vietnam, Copper alloy, H. 1 1/2 in. (3.8 cm); Diam. 11 1/16 in. (28.1 cm); Wt. est. 4 lbs (1.8 kg), Metalwork, This remarkable bronze presentation dish can be attributed to the Cham territories of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2AKBAKD–The arts and crafts of ancient Egypt . lways vertical, and this serves to distin-guish the meaning of small portions of wall inexcavations. Slight structures were made of palm-sticks, setupright, and lashed to a cross sticknear the top, with other palm-sticksinterwoven to stiffen the face, andthe whole plastered with mud.Such construction is made now inEgypt, and is seen in the earliestfigures of shrines. At the top theends of the palm-sticks nod over, and form a fenceto keep out intruders. This row of tops is theorigin of the stone cavetto cornice, which alwaysNII/////* stands free above t
RF2HW93BR–Art inspired by Sistrum Inscribed with the Names of King Teti, Old Kingdom, Dynasty 6, ca. 2323–2291 B.C., From Egypt; Possibly from Memphite Region, Memphis (Mit Rahina), Travertine (Egyptian alabaster), pigment, resin, H. 26.5 cm (10 7/8 in.); W. 7 cm (2 3/4 in.); D. 2.7 cm (1 1/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMWT0R–Covered Jars, Mennecy Porcelain Manufactory, French, active 1735 – 1773, soft paste porcelain, vitreous enamel, Inverted acorn shaped with cavetto neck and domed cover with floral knob. Cylindrical foot; side broken by four vertical grooves alternating with four ridges. Floral festoons in relief on shoulders, flowers in relief upon covers, which have silver rims., France, 1740–1750, ceramics, Decorative Arts, jars, jars
Search Results for Cavetto Stock Photos and Images (221)
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