KRK Rokit 10-3 G4 Series Review: A Great Mid-Field Monitor For Your Studio

KRK’s ROKIT G4 series has carved out a reputation for blending professional audio performance with affordability. 

These 3-way studio monitors are engineered to deliver a flat frequency response for precise mixing and mastering. Ideal for producers and sound engineers on a budget, the KRK ROKIT 10-3 G4 offers a serious upgrade to studio sound. Our hands-on review assesses their capabilities and whether they stand as the ultimate budget-friendly studio monitors.

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How Do The Rokit 103-G4 Speakers Sound?

Out of the box, these speakers’ response is as flat as possible. Earlier iterations of the KRK speakers often gave a gentle boost to the low frequencies. But this has been removed in place of a custom EQ functionality alongside a KRK Audio Tools app on your phone to calibrate them to your studio room.

Once tuned, these speakers sound simply phenomenal!

The frequency response on these monitors is much more comprehensive than most speakers, meaning you can hear what is happening in the low end without needing a subwoofer.

Moreover, the mid-range clarity is second to none, and the 10-3s offer a silky smooth mix without any harshnesses that I typically hear in other mid-field monitors. These soft sonics mean you can work longer and get better results without the risk of ear fatigue.

KRK’s typical bread-and-butter speakers are often budget monitors and usually feel like it (which isn’t necessarily bad). But these monitors are a solidified upgrade that looks, feels, and sounds like a step into the professional realm of studio monitors. While writing this KRK ROKIT G4 review, they say good right from the jump. They are a fantastic pair of budget studio monitors, essential when moving from a casual bedroom producer into the professional world of audio production.

Is Your Bedroom Studio Cramping Your Style? Read Our Guide On Studio Design 

Features of the Rokit PR 103-G4s

Many powerful features are new with this generation of monitors. So, let’s dive into some unique redesign qualities, characteristics, and more that help you achieve maximum sound qualities from these budget speakers.

Sure, there may be even more features tucked away in these powerhouse monitors. However, these next ones will immediately affect the sound quality in your room precisely.

Kevlar Drivers

The Rokit’s tweeter and woofer are high-quality Kevlar, creating a far more relaxed and less fatiguing monitoring experience while allowing for maximal clarity. The rigid kevlar drivers also ensure that the sound coming from the speakers experiences little to no sound distortion.

DSP Room Correction Technology

As mentioned above, the room correction technology helps you get the best quality out of these speakers. You will certainly want to rely on this onboard feature, as the speakers are flat out of the box. The unassuming control panel tucked away on the rear face of the monitors allows for complete control and adjustments of the EQ curves for the monitors. Using it alongside software such as Sonarworks provides the best room-correction functionality one can hope for at this price point.

Onboard Limiter

The built-in brick wall limiter on these midfield monitors allows you to push the output signal without the risk of distortion or affecting the mix’s dynamics. The result is a loud, dynamic, balanced mix you are proud to show your friends and clients.

High-Frequency Waveguides

Many other speakers at this price point’s waveguides are single-faceted, meaning the sweet spots on the monitors are narrow and limited. This does not work for most producers relying on such monitors, who often produce music in smaller, unideal rooms.

But the bowl-shaped waveguides on the KRK Rokit 10-3s offer comprehensive imaging and broad sweet spots ideal for imperfect studio rooms.

This benefit is even more potent through the monitors’ front-firing ports that create excellent low-end that you can feel (and hear). Overall, this makes speaker placement an absolute breeze.

Check Out How One Artist Used These Speakers On Grammy-nominated Records 

What I Wasn’t Crazy About

Having used these monitors in two studios now, both in the old studio I was working in and the new studio I have just moved into in my new house, I have gotten relatively familiar with these monitors over the past six months. While all of the best qualities mentioned above still hold, I felt the need to update this article with a flaw that I first assumed was due to my electronics and gear, but I have since come to believe otherwise.

The Noise Floor

These monitors are loud. The old room that I was in was far less than ideal in terms of size and shape, and it wasn’t until I moved into the new studio that I realized a steady and consistent hiss coming from the speakers, which I attributed to electrical interference from my outlets and other gear getting transferred to the monitors. But after buying power conditioners, balanced cables of the highest quality, and more, the issue persisted, which made me spend a few extra hours digging.

In doing so, I learned that I am far from the only producer to experience a high-pitched hiss and static coming from the speakers whenever they are active and not in sleep mode. While this hiss is far from deafening, it can be heard from my listening position when no signal is sent to the monitors and made for, for a short time, think that I was making music with tinnitus.

Here’s A Breakdown Of The Specs Of The KRK RP 10-3’s

• They weigh 35 lbs. a pop
• They are 12.95” wide
• They are 14.6″ deep
• They run off a standard XLR-1/4″ combo input
• They output up to 300W Class D Power
• They feature a Kevlar Cone Driver with a rubber bumper surrounding the driver.
• They have a tri-amped power configuration
• They have a 1″ tweeter
• Their frequency response is 26Hz-40kHz
• They have a 10″ driver
• They can be cranked up to 112 dB (not that you would ever go that loud, would you?!)

Are These Studio Monitors Right For Me?

I’ve had the opportunity to review and test many nearfield and midfield monitors. I can confidently say these things are the best option for the price point. That being said, I understand that these may not be for everyone.

Because unless you are willing to spend thousands on top-tier monitors and invest thoroughly in your studio room, no monitors allow for more calibration and customization than these.

And sure, these monitors may be on the pricier side of what constitutes a budget monitor. These monitors are ideal for producers of all skill ranges, meaning they may be the only monitors you buy for your studio your entire career. The biggest hesitation I had when I was starting was whether I should invest a little into my monitors or if I should invest a lot. But since KRK brought this new line of studio monitors to market, this question is a non-issue.

My final verdict is that these monitors allow you to do both, getting professional-quality mixdowns at an affordable price.

Snag a pair of these today on Sweetwater right here