The Residuary Legatee, by F. J. Stimson—A Project Gutenberg eBook

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The Residuary Legatee

On the morning of August 14th, in this last summer, Mr. Austin May alighted at the little Cypress Street station of the Boston & Albany Railroad, and, accompanied only by a swarthy and adroit valet, and a very handsome St. Bernard dog, got into the somewhat antiquated family “carryall” which awaited him, and drove away. May was a stranger to the man in charge of the station, as well as to the wide-awake trio of boys who made it a sort of club, their exchange of gossip, and pleasure resort; and thus his arrival was unnoticed and unrecorded, though his last absence had extended over a period of several years. It was a most oppressive day; and what few human beings were dressed and stirring made haste to get beneath the dense foliage, or to plunge into the numerous private-paths and shortcuts,[4] with which the suburb of Brookline is provided; leaving the roads and their dust undisturbed, except by the sedate progress of the old carryall, which left behind it, suspended in the air, an amazing quantity of the same considering its speed, and quite obscured the morning sun with its golden cloud. Austin May might have been an entering circus procession, and no one would have found it out. Even the boys at the station were sluggish, and indisposed to “catch on” behind every train, much less to give their particular attention to one undistinguished stranger, with or without a dog.

May lit a cigar, and the carryall and its occupants lumbered along unheeded. The road was walled in and roofed over by a dense canopy of foliage borne by arching American elms; and through its green walls, dense as a lane in Jersey, only momentary glimpses were to be had of shaven lawns and quiet country-houses. When they came to a gate, with high stone posts, topped by an ancient pair of cannon-balls, the carryall turned slowly in. A moment after they had passed the screen of border[5] foliage, May found himself in the midst of a wide lawn and garden, open to the sunlight, but rimmed upon all points of the compass by a distant hedge of trees, so that no roads, houses, thoroughfares, or other fields, were visible. In the centre of this stood, with much dignity, an elderly brick house, its southern wall quite green with ivy. In front of it was a large pavilion, some hundred yards removed, low and stone-built, rising without apparent purpose from the side of an artificial pool of water, rimmed with rich bands of lilies. May looked anxiously for the pavilion, and, when he saw it, sank back in his seat with a sigh of relief.

The carryall stopped before a broad, white marble step at the front door; and the Charon of the conveyance, known locally as the “dépôt-man,” having dumped the one leather trunk upon the step, stood looking at the stranger contemplatively, as if his own duties in this world were all fulfilled.

May pulled out a half-dollar. “No matter about the change,” he added, as the dépôt-man hitched up his vest, preparatory to[6] fishing in his cavernous trousers for the requisite quarter.

The dépôt-man changed his quid of tobacco, and drove off without a word, the downward lines from the corners of his mouth a shade deeper, as if he profited unwillingly by such unnecessary prodigality, which aroused rather contempt than gratitude. May waited until the carryall had quite disappeared in the elm-trees, and then rang the bell. Apparently, he expected no prompt answer; for he sat down upon one of the old china garden-seats, which flanked the door, and rolled and lit a cigarette. After a few minutes he rang again, louder; the unwonted tinkle reverberated through the closed house, and an imaginative man, putting his ear to the key-hole, might have heard the scuffle of the family ghosts as they scurried back to their hiding-places. At last an uncertain step was heard in the hall, and after much turning of keys and rattling of chains, the door was slowly opened by an old woman, who blinked at the flood of sudden light which poured in, rebounded, eddied, and at last filled each corner of the fine old hall.

The woman glared at him as before, and did not compromise her dignity by a courtesy. “Mr. Eastman got your letter,” said she, “and I have got your room ready. Will you go there now? I don’t know who’s to carry up your trunk.”

May’s valet solved that difficulty by shouldering the leather receptacle and carrying it up himself. The room was large, airy, and neatly kept. A straw matting was on the floor, covered here and there with well-worn rugs; and from about the windows came a twittering of birds. All in it indicated, not a new and modern house, but the well-worn nest of a family that had been born, had cried, laughed, played, made love, and died, in every room. Yet there was no evidence of recent occupation; the room was innocent of those last touches which are the pride of the feminine housekeeper; curtains, splashers, anti-macassars, were few; and no twilled, frilled, or pleated things infested the windows, and impeded the entry[8] of the outer air. May opened the door of a large closet; it was empty, save for a broad, white, chip hat of prehistoric fashion, and ribbons of faded rose-color; but, if it had belonged to a daughter of the house, it was evident that its owner was either dead or married, and her womanly activity was exercised in other locuses and focuses. No other manifestation of what Goethe (impatiently) calls the “eternal woman” was present; and May’s expression almost approached to a smile as he opened the door of the spacious bath-room, and noted the naked mantels and marble slabs, unencumbered by china dogs, translated vases, and other traps for the unwary. On the shelf was a noble pile of rough and manly towels, and as he turned the faucet, he found that the water was copious and cold. From all this you may infer that Mr. Austin May was a bachelor. I have committed myself to no such statement as yet, and May himself would have been the first to term your curiosity—at the present stage of your acquaintance with him—an impertinence. As he turned away from the bath-room the smile of satisfaction died away[9] upon his lips. Mrs. Eastman was still standing at the door, the incarnation of the custodian, in iron-gray rigidity of dress, and equilateral triangularity of white fichu.

“Everything seems to be all right, Mrs. Eastman,” said he, graciously. (Behold how simple are the needs of man—give them but fresh water, space, and peace, and their desires are filled; while womankind—are otherwise.)

“Everything is all right,” broke in Mrs. Eastman, like the offended Vestal deity, at a statement implying contrary possibilities. Then again she congealed.

May looked at her more closely, with a slight shade of annoyance. How was he to get rid of this woman?

“You must have had a sadly lonely life here, Mrs. Eastman,” said he, by way of placation. And lo! the flood-gates were loosened and the tide poured forth. Who ever could have suspected Mrs. Eastman of gregarious instinct? As well have fancied her loquacious. As Moses’s wand upon the rock of Horeb, so an adroit phrase addressed to womankind.

“I have not complained, Mr. May; and[10] nobody can say that I haven’t done by you as if it were my own house that I was living in, and the water-back out of order all the time, and the pipes freezing all the winter; and Mr. Eastman, says he, we must have a furnace fire, and I say no, it ain’t of enough account for us two old people, and so we sit by the kitchen stove, and my sister, Mrs. Tarbox, with her four children and the scarlet fever, over at Roxbury, and nobody to provide for ’em, for John Tarbox—says I to Cynthia when he come up to Augusta from the Provinces (I come from Augusta, Maine, Mr. May), he ain’t but a shiftless fellow, you mark my words, says I; and says she, you let me alone, Miranda, and I’ll do as much by you, s’ she; an’ so it turned out, an’ many’s the time I’ve said to Mr. Eastman, Mr. Eastman, I must go an’ see Cynthia, s’s I, for there she is on her back, with her hands full of children, an’ no one to do for ’em but just John Tarbox; an’ s’s he, Miranda, it would be tempting Providence for you to go with your rheumatism, an’ s’s I, I can’t help that, Mr. Eastman (he’s a member o’ the church, Mr. Eastman), I guess Providence ain’t got no more to say about[11] it than my horse-chestnuts in my dress pocket, an’ I always wear flannel next my skin; an’ s’s I, I’d go, come what may, but for Mr. May’s silver, s’s I (I keep it under my bed, Mr. May, and have slept upon it every mortal night since I took this house), an’ I know I saw a moth in the best parlor last week, an’ the furniture not beaten since April; an’ so six weeks gone since I saw my sister; an’ since there’s a foreigner in the kitchen, s’ I to Mr. Eastman, Mr. Eastman——”

“My dear Mrs. Eastman,” interposed May, gently, “I had no idea you thought it necessary to stick so close to the house. Now I beg that you will go at once. My servant will get all I want for dinner. You and Mr. Eastman must both go, and don’t think of coming back before to-morrow—haven’t you any other visits to pay?”

Mrs. Eastman, who had started at the “my dear Mrs. Eastman” as if May had offered to kiss her, admitted, ungraciously, that her husband’s sister lived in Jamaica Plain. But the foreign valet was, evidently, still in her mind; and, after sundry prognostications as to the domestic evils to result[12] from “that man’s” presence in the kitchen, she finally removed herself, with some precipitation, only when May, in desperation, began to take off his coat. Left to himself, May resumed his coat, drew a chair to the window, sighed, and lit a cigarette. Mrs. Eastman’s disappearance was followed by a distant shriek; and shortly afterward there was a slight scratching at the door. May opened it, and the St. Bernard dog walked gravely in and stretched himself by the chair; a certain humorous expression about his square jowl indicating that he had been the cause of the shriek in question. It was a bad quarter of an hour for Mrs. Eastman’s nerves. Fides was the dog’s name, and his master patted his head approvingly.

May sat down again, and his eye roamed over the stretch of green turf, a view broken above by the huge arms of button-wood, and canopies of English elm. Shortly afterward he saw the valet emerge from a side entrance, and step hastily across the lawn into the shade of a great hemlock, where he stood, gesticulating wildly. A minute or two later Mrs. Eastman, in an[13] Indian shawl and purple bonnet, appeared in progress down the carriage-road, limply accompanied by her lord and master. When she disappeared, with her husband and a red and roomy carpet-bag, behind the avenue of elms, the sinuous oriental emerged from the hemlock, and shook his fist. Silence supervened. The prospect of peace emboldened May to light a large cigar. The valet returned to the house, and no sound was audible but the chirping of the birds, the rustle of leaves, and the dignified and heavy breathing of the hound of St. Bernard.

As May was knocking off the last white ash from his cabaña, his servant knocked softly, entered, and bowed. Rising, May, followed by the St. Bernard, descended and entered the dining-room. Upon the walls were six pictures, four of which were portraits of persons, and two of indigestible fruit. The persons seemed to have been eating the fruit. The portraits were all Copleys, and comprised, first, a gentleman in a red coat and a bag-wig; second, a young lady with a sallow complexion and a lilac satin dress cut so low that only a profusion of lace concealed her deficiencies of figure; third, an elderly scholar with long transparent fingers and sinister expression; fourth, a nice old lady with a benignant grin. The eyes of the old lady beamed[15] amiably down upon the table, where lay a snowy cloth and a glorious breakfast, consisting of a fish, a bird, a peach, and a pint of claret. The genius who had wrought this miracle disappeared, and May was left undisturbed.

The fish had gone the way of all flesh, and the bird had gone the way of the fish, and the first glass of Léoville was awaiting translation to the sky of human reveries, when there was a sound of carriage-wheels upon the gravel. May started. The glass of claret crashed untasted to the floor, and its owner sprang upon his feet and fled precipitately. Just as the door-bell rang, he escaped from the garden door of the hall and plunged into a maze of shrubbery; with a hurried sign to the silent servant as he passed. Rapidly and circuitously, he circled back behind the hedges until a successful flank movement brought him to the main driveway at the point where he remembered Mrs. Eastman had disappeared; here, by a bold dash he secured the front lawn; and a few cautious steps brought him to the side-door of the large, low stone pavilion aforementioned. Drawing a brass[16] key from his pocket, he managed to turn a grating lock and entered. The door closed behind him and was carefully bolted on the inside. The interior was quite dark; but May cautiously felt his way to one of the front windows, and opening the sash, turned the slats of the blind to a horizontal position. Through this he peered, breathless with his run. At the front door of the house was the same carryall that had brought him from the station; but its occupants were not visible. May saw the St. Bernard dog silently threading his way through the bushes, his nose upon the trail; a minute later, and he scratched upon the door of the pavilion.

The dog scratched, softly. With an impatient imprecation, May opened it; the dog had a bit of paper in his mouth. May snatched it eagerly.

“Madame d’Arrebocques” was written upon it, in the hand of Schmidt, his valet. “Elle doit attendre.”

Madame d’Arrebocques? May knew no such person. Madame d’Arrebocques? Why should she write? Why had she not[17] sent her card? Had Schmidt spelled the name right? Ah! at last he had it, thanks to Mrs. Eastman’s garrulity. This could be no other than Cynthia Tarbox, the ill-married sister of Miranda, his châtelaine. And ill-mannered fortune! they had missed each other on the way. Mrs. Eastman might return at any moment. As he pondered, the carryall moved slowly off; but as it passed the window, he noted that it contained no other figure than the station-master. The woman, then, was left behind.

May tore out a card and wrote upon it, in German, Sie muss fort! and handed it to Fides, the dog, who trotted silently off. What means Schmidt used, May never knew; but some ten minutes later, four children came screaming down the avenue, running and gasping for breath, followed by a thin and wiry woman, robed in a flapping whitey-brown duster, whose haste and streaming bonnet-ribbons bore every evidence of extreme mental perturbation.

Shortly afterward Schmidt himself appeared, in his hands a glass and another[18] bottle of the same claret. By a refinement of delicacy, the glass was full. “Monsieur n’a pas fini son dejeúner,” said he; and May took the glass with trembling fingers, but put it down untasted.

“Schmidt,” said he, in French, “it is nearly midday. You must bring everything here. I dare not go back to the house.”

The valet evinced no surprise, but nodded and disappeared. Left to himself, May opened the shutters of several of the windows and looked out. The side of the pavilion that was farthest from the house rose directly out of the broad pond or ornamental lake already referred to. This was to the west; the northern was screened by a dense growth of pines, the southern contained the entrance door before mentioned, and the eastern façade commanded the house, which was some two hundred yards distant across the avenue. May looked out across the water, which was an ornamental piece fringed with reeds and water-flowers. In the centre of the little lake rose a low round island, which had a comfortable rustic seat and a soft and[19] grassy surface. May pressed a small knob in the wall near the window, and coming back from it, took a heavy book from one of the dwarf bookcases that lined the large room. The book was a quarto edition of Burton’s “Anatomy of Melancholy;” and immediately afterward the adjoining section of bookcase swung slowly forward from the wall, revealing a descending passageway. Through this May disappeared, and the bookcase swung itself back into place.

Some minutes later, Schmidt entered, after several knocks, with a large japanned tray. Upon this tray was a small paper of bromide of potassium, two boxes of cigars, strong and mild, a carafe of cognac, seltzer, a large opera-glass, a powerful dark-lantern, and a six-barrelled silver-mounted revolver. Fides lay on a mat on the floor; but his master was nowhere visible in the room. Schmidt set the tray upon the table and looked about him. Being alone, it must be confessed that his cosmopolitan face showed traces of surprise.

The whole interior of the pavilion obviously contained but one room; and in[20] that room Austin May was nowhere to be seen. In the centre was a huge long centre-table of carven oak; it was covered with dust, and upon it was but one large book—Burton’s “Anatomy of Melancholy.” All the four walls were lined with filled bookcases, and, above them were serried ranks of engravings, etchings, drawings, but nothing that was not in black and white. Most of these had woman for a subject, but woman always either in her least agreeable or most unspiritual aspect—Katherines with Petruchio, Madame de Staels, Harriet Martineaus, Manon Lescauts, Cressidas, and Marneffes; Messalinas, Hecubas, Danaës, Judiths, daughters of Herodias; an engraving of the Appalachian Women’s Rights Association, and a charcoal sketch of Daudet’s Sappho. And of such as were not real persons or historical characters, there was but one common characteristic, namely, that all were shamelessly naked of body and unspiritual of face. The sole exception to this rule stood at the farther end of the room from Schmidt; it was a full-sized and marvellously perfect reproduction of the Venus of Milo; having the cynical inscription[21] upon its pedestal, “A woman without rights.”

Schmidt gave a long low whistle, as he went about the room to examine these engravings; then he returned to the centre-table, wholly at a loss. May surely had not left the pavilion; but where was he? He looked out of the windows, and saw only the pine-grove, the house, the lawn, and the lake. In the centre of the lake was a large fountain, plashing merrily, and shaped like the coronal of some huge lily. As he was watching this, the fountain suddenly stopped; the water-petals wavered and fell, revealing a small grass island that had been screened by the circlet of playing water. A moment after, he started at his master’s voice; May was immediately behind him, calmly putting a book back in the bookcase. It was the Burton’s “Anatomy.”

“You may go now, Schmidt; I shall not want you until to-morrow. You will stay in the under part of the house; and not go out under any circumstances, unless you hear a pistol-shot. When you hear my pistol fired you will come out rapidly. If fired twice, you will run to the stable for a horse.[22] If I want you to do anything, I will send Fides with a note.”

“Stop,” said May, “there is one thing more. You must go to Brookline village and hire a fast horse and a buggy, without a driver; put the horse in the stable, but don’t unharness him, and shut the door. You may go.” Schmidt went.

Left once more to himself, May examined the stores that had been left by his familiar upon the oaken table. The inspection seemed to be satisfactory. He then consulted his watch, and found with a start of surprise that it was already afternoon. The watch was an elaborate repeater, giving the hour, minute, and second, the signs of the zodiac, the year of our Lord, and the day of the month. This latter was August 14th, as has been said; the time, after twelve.

May’s behavior upon this discovery was precipitate and peculiar. First, he arranged with great care the calcium light apparatus so that it commanded the front stoop of the house; then he carefully closed all the shutters of the pavilion save the one toward[23] the house. By this window he sat, peering through the slats of the blind. The sun, getting into the west, shone full upon the stone front porch; and May kept still there, watching it, in the silence of the midsummer afternoon.

Thus fortified in a material way against the approach of any enemy, and exalted in spirit above the slings and arrows of outrageous fortune, the minutes seemed hours and space and time but mediums of his own control. When his first pipe was finished he threw it aside and walked openly out upon the lawn. The very birds were sleepy, and the park lay spellbound in the shimmer of its own warm light. Austin took his way along the margin of the pool; it was studded with white still lilies that lay dreamily upon the green water; great gaudy dragon-flies hung motionless upon the lily-petals, like silk-robed ladies in some spotless marble hall.

What was it that gave such interest to the little familiar pool to him, who had smoked his cigar by the lotos-pools of Yeddo’s[25] moats, or dreamed these same summer hours away by the fountain of the Court of Lions in far Granada? Well enough knew Mr. Austin May what memory it was that hung about the place; and he smiled his mature and mocking smile as he remembered his boyish love. Many times had they two wandered there, May Austin and himself, wandering together through crusty Uncle Austin’s strange demesne; his uncle Austin, her aunt’s husband. Old John Austin had married for love a poor and beautiful cousin whose mother had engineered the marriage against the girl’s will; and they had hated one another very cordially. Too proud to be divorced, John Austin had built himself this strange pavilion where his wife had promised she would never go. She kept her word faithfully; and he never went into the house without first sending in his card. They met in company, and with the greatest courtesy, and gave their grand due dinners of sixteen, each at one end of the long table, with a splendid high épergne between. Mrs. Austin had taken May Austin into her lonely bosom, and Uncle John had had Austin May home from[26] college, where his bounty kept him, and had given him his taste for claret, and tried to give his knowledge of the world. And they used to sit there, he and his uncle, in this same pavilion, smoking, close hedged in from womankind. And when the old man had fallen asleep, Austin would creep out into the park, and walk there with his lovely cousin May. And on one summer day, for all the world like this, he won her heart, this gay young Harvard senior, all among the rushes by the lily-pool. And Austin had gone back into the pavilion, quaking, to tell his uncle, and found the latter very dignified and dead, a bottle of the famous Eclipse Lafite close by his elbow. As with the old French poet

the claret had not been wasted; its very last glass had been savored by its master before his spirit took flight.

Austin May was overcome with horror. He ran and gave the alarm at the house,[27] and then sought his cousin May, whom he found, standing lovely, in the twilight by the lilies. He kissed her, preliminarily, and put his strong arm about her slender waist; then he broke the news to her, and then he kissed her again, by way of peroration.

Now May Austin was shocked; but not so much so as if she had seen her uncle since her aunt’s death, which had happened some three years before. He had suffered—even commanded—that she should go on living at the house; but since then, there being no covenance requiring his attendance at the family table, he had lived, eaten, and drunk, entirely in the pavilion. Miss Austin had had a fancy that she had seen him groping about in the shrubbery from time to time, and spying at her through the leaves; but upon the only occasion when she had gone to see him—it was to thank him for some birthday present, distantly conveyed—he had most mysteriously disappeared. But, as if he appreciated her visit, and were doing her all the honor possible, the fountain played its highest—an almost unheard-of thing since Mrs.[28] Austin’s death. When she had been alive, the fountain had always played while she was walking in the garden. Uncle John, though prejudiced, was always courteous.

But the next memory was clearer yet to Austin May; and even now a twinge of sadness, as he recalled it, spoiled one puff or so of his fragrant cabaña. For it was by this same lily-pool, a few days later. Uncle Austin’s remains had been duly disposed of, according to the terms of the will, and he and pretty May had met for the last time; the last time for a few years, he had said; the last time forever, as she had feared. Austin, indeed, had rebelled at this, and spoken boldly of renouncing everything; but she had persevered, and made him see that it was best, at least for a trial term of years, for him to comply with his uncle’s last behest. And so he was going abroad; and she walked with him, by the lily-pool, through the lawn, through the hedge to the little seat beneath the linden that had been her favorite; and there they had said good-by, with kisses and tears; and the same grim station-master, messenger of fate! had carried him off in his carryall, appropriately[29] named. “The kisses had been very sweet, but the tears had been superfluous.”

May smiled as he thought of this, and, lighting another cigar, went back of the pavilion. There he threw back a drawer in the carven oak-table and drew out the queer old will. It was nothing but a copy, bearing the lugubrious skull and cinerary urn which form the seal of the Norfolk County probate court; but it was already yellow with time, and as May turned amusedly over the old leaves the dust dropped from them upon his spotless Poole-built trousers. Ah, a good judge of claret was old Uncle Austin; a good judge of claret and of other things. May looked at the bottle of the famous Eclipse (he had not yet tasted it, and there is a certain worldly wisdom about claret very inspiring to those who meditate a practical course of action), and began to read. But his hand shook, as he opened the will, and any doctor seeing him would have treated our hero for nervous prostration, or sent him to a faith-healer at the very least.

“In the name of God, Amen. I, John Austin, gentleman, being of sound mind[30] and disposing memory, and a widower, for which I am reverently thankful” (it has been mentioned that Mrs. Austin died some years before) “do make and declare this my last will and testament.

“My body I consign to ashes, and direct that it be duly cremated under supervision of my executors; my soul I recommend to him who made it, provided that He have not already taken the soul of Georgiana Austin Austin, my late wife, under his same supervision, in which case I reverently pray that it be left to my own disposition.

“I bequeath to my executors the sum of Five Thousand Dollars, and direct that it be expended in the erection of a large white marble monument to my late wife, aforesaid, said monument to be designed after the florid manner of the later Gothic, and to be placed upon my family lot at Mount Auburn, and to bear, besides the name of my late wife aforesaid, but one inscription, viz.: A Perfect Woman.

“I direct my executors to pay the sum of five hundred dollars annually to the niece of my late wife aforesaid, May Austin, until she be married; and upon her marriage I[31] direct that said sum be annually paid to her husband, for his sole use and consolation.

“I devise and bequeath my bin of Lafite claret, so-called Eclipse, to my nephew, Austin May, together with all my other estate, real and personal, stocks, bonds, moneys, goods, and chattels, wherever the same be found, but subject only to the following condition, namely: I direct my executors to manage and invest all such moneys and estate, save the use of my house in Brookline, Massachusetts, which I give to my said nephew directly; and all the income, rents, and profits of such estate to pay over to my said nephew annually upon his sole receipt; provided, that if he marry at any time within eleven years after my death, or before he shall reach the age of thirty-five, whichever shall first occur, then and in that case I revoke all the devises and bequests to my said nephew aforesaid; but direct my executors to deliver such of my Eclipse claret as then remains, to the most prominent Total Abstinence Association which shall then exist in the town of Boston; and all the rest and residue of my estate I devise and bequeath absolutely and in fee to my residuary legatee.[32] And I have written the name of said——”

At this point in his reading, May heard a woman’s laugh. It seemed to come from the shrubbery close by. In order to get more light for the will, he had opened the middle slats of the blind toward the trees; so that it almost seemed possible for a tall girl, standing close to the pavilion, to look directly in. With inconceivable agility, May dropped to the floor, beneath the window-sill, and ran rapidly around the large room on his hands and knees, close to the wall. When beneath the table where he had left his opera-glass, he took it up, and adjusting it hastily, stood upon his knees, high enough to look through the open shutter in the window toward the house. Sure enough, he had hardly got the proper focus, when a young girl emerged from the shrubbery and walked down the road. But she was very young, only eighteen or so, and though admirably pretty, May was confident that he had never seen her before. He watched her until she had disappeared in the distance; and then, rising to his feet, returned to the reading of the will. But[33] first he altered the angle of the slats of the blind, so that it would be impossible for anyone standing outside to look into the room.

“And I have written the name of the said residuary legatee in a sealed envelope, which I hereby incorporate as part of this will and append thereto; and I direct that said envelope be not opened, but remain in the custody of my executors, or of the proper court, until my said nephew marry, or reach the age of thirty-five, or until eleven years have elapsed from the date of my death, whichever shall first happen; and thereupon my said executors may open the same and deliver a copy thereof to my said nephew; and proceed to pay over and deliver all my estate, real and personal, to my residuary legatee therein mentioned.

“And I will explain, for the benefit of the gaping and the curious, that this I do that my nephew may profit by my experience of early marriages. For no man should by law be allowed to choose what woman shall be his wife until he be arrived at the age when he may be hoped to have sufficient discretion not to choose any woman at[34] all.” Then followed the appointment of executors; and that was all.

How he had laughed at the last clause, he and May Austin, as they wandered by the lily-pond that evening! And when she had persuaded him not at once to give it all up and marry penniless, he had tried to make the best of it. If she would not marry him then, what were eleven years? Eleven years—bah! August 14, 1886—why, he would only be thirty-three and she twenty-seven! But she had refused to make it an engagement, refused even to write to him; and the poor young Bachelor of Arts had gone off to his steamer most unhappily. And that farewell kiss under the lindens! And the letters he had written back—from Liverpool—beseeching May Austin to reconsider her determination! Austin May took another cigar from the box, and smiled pensively.

From Liverpool Austin May went to London; from London to Paris; from Paris by the special mail to Constantinople; thence to Athens and Alexandria; and thence to Bombay and Calcutta and Hong Kong; and the impetus of his flight had almost carried him over the Pacific and back to America again, but that he held back on the shore of Japan. He travelled in that country, then in Thibet or in Turkestan. Three years were spent by him in the acquisition of strange drugs, curious pipes, and embroideries, wild songs, and odd languages. He lived in Damascus, Samarcand, Morocco, possibly in Timbuctoo. History records not nor does May Austin, how often he wrote to her. But the summer of 1879 saw him alight at the Gare de Lyon, in Paris. The heat and solitude[38] of that city were equally oppressive, and he fled to the nearest coast. That evening he was seated, robed in soft cloth and starched linen, on the wide veranda of the great Hôtel des Rochers Noirs, at Trouville.

No one who pines for outdoor life, primitive conditions, and barbarism—and May was one of the wildest of these—but must admit that the trammels, conventions, and commodities which so annoy him are, after all, the result of infinite experiments of the human race, conducted through all time; and as such, presumably, each one was deemed successful when made, and adopted accordingly. No question but that men had flannel shirts before starched linen, women flowing robes and sandals before corsets and high-heeled shoes; and the prehistoric “masher” knocked down his lady-love with a club before he learned to court her with a monocle and a bunch of unseasonable roses. But all these changes were, at the time, deemed improvements; and one who has lived three years in Thibet or Crim-Tartary, and arrives suddenly at Trouville, is in a fair position to judge impartially. And it is not to be denied that[39] May was conscious of a certain Capuan comfort, of an unmanly, hot-house luxury, as he sat before the little table with his carafe of ice, brandy, and seltzer, felt the cool stiffness of his linen shirt, smoked his pressed regalia, and watched the ladies with their crisp and colored dresses and their neat and silken ankles as they mounted in their landaus for their evening drive. A full string-orchestra was stationed among the electric lights near by, which dispensed, with much verve, the light-hearted rhythms of the latest opera bouffe; and beyond the planes and lindens shone the moonlit sea, as if it also were highly civilized, and part of the decoration of the place. May knocked the ashes from his cigar as who should say, “I, too, am a Parisian of the nineteenth century;” quaffed a few sparkles from the iced carafe and bottle, and pretended to be interested in the latest Faits-Paris of Figaro. He was beginning to realize the delights of youth and riches and free travel; he had been nothing but a school-boy in America, and a sort of wild man since.

And as he so sat, there came to a table next him two people, and sat down. One[40] was a middle-aged man, with an iron-gray imperial, a tight white waistcoat, and the rosette of the legion of honor at his button-hole. The other was the most beautiful woman he had ever seen. She was dressed in the most delicate and languorous cloud of violet and gray, strengthened here and there by black lace; no ribbon, jewel, or flower was on her lustrous black hair, or about the soft and creamy neck; and she was evidently much absorbed in what her companion was saying, for May could see that she clinched her fan in her hand that was beneath the table until the delicate ivory broke. They talked very rapidly, in French; but May, whose acquaintance with unknown oriental dialects was so manifold and various, knew hardly French enough “to last him over night.” And it is of especial importance that one’s French should last over night.

Whatever they were saying, they were reiterating it with continually increasing force. The man in the tight frock-coat began hissing it between his pointed teeth, and the pretty woman crushed the last fragment of the fan to ivory slivers on the[41] floor. At last, the gentleman rose, and with a pardieu which even May’s untrained ear could recognize, upset a champagne glass, and strode hastily away; the lady eyed him until he disappeared, and then drooped her long lashes, and hid her eyes in her pretty hand. Her bosom rose and fell convulsively, and May’s chivalric heart beat sympathetically in the same time. Suddenly her deep eyes opened, and opened full on Austin May’s.

“Sir,” said she, in English, “you are a gentleman—save me!” Save her? Aye, Austin May would have saved her from the devil or the deep sea, and with no thought of salvage. All he said was, “Why, certainly.” It afterward occurred to him that he should have said, “Pray, command me, madam.” But this seemed to satisfy her, for she unbosomed herself directly.

“I know I may trust an American,” said she. “Listen—I will confide to you my true name. That man—that mouchard—with whom you saw me, sinks I am ze Comtesse Polacca de Valska. Well, I am ze Comtesse Polacca de Valska. Now you know all.”

[42]Unfortunately, Austin May knew very little. But evidently the Comtesse Polacca de Valska was a personage of European reputation. He bowed.

“What can I do?” said he, earnestly. “Madam de Valska has but to command.” (This was better.)

“Hist!” said she, mysteriously. “Polacca de Valska—never mention ze name. Eet ees a spell, in Poland; even now my noble Polacco languishes in Siberia; but in France, in Russia—eet ees a doom. Say zat I—say zat I am your compatriot—Mrs. Walkers—anysing.” And the nerve which the unhappy countess had shown throughout the interview suddenly collapsed. She burst into tears. As she dissolved, the American congealed, all the blue blood of Boston rigid in his veins. When the little Frenchman appeared, May offered his arm to the countess; and together they swept proudly to the door of the hotel.

“Arrêtez,” cried the Frenchman. “Connaissez-vous—do you know, sare, who it is?”

“It is my friend—my friend, Mrs. Peter Faneuil, of Boston,” said May, with a readiness that charmed him at the time.

May glared at him for a moment, and the latter recoiled, like any Frenchman, before his Anglo-Saxon attitude. They entered the hall of the hotel; the countess pressed his arm convulsively in her gratitude, her heart too full for words. “Merci, chevalier,” said she, simply. May’s heart bounded at the compliment, and with satisfaction that he understood her French. “I have a carriage here,” said she; and they found the elegant landau still at the door.

May got in, and a footman closed the door of the carriage. The liveried coachman whipped up the horses, and the pair rolled forth into the darkness of the summer night.

At this point in his recollections, May looked at his glass of claret and re-lit his cigar; and though he did not know it, this was precisely the course of action that had been adopted at the time by the Frenchman with the rosette. He drew his chair up to the table where the countess had[44] been sitting, with a slight shrug of his padded shoulders, and more imperturbability of manner than would have flattered the valiant defender of oppressed beauty, had he been there to see it.

But at this period May was whirling along in the countess’s carriage, through the darkness of the night, close by the sea-beach and the pale shining of the long, slow surf.

The next morning May rose after a sleepless night, and wandered pensively along the beach. His head was full of the Comtesse Polacca de Valska; perhaps a drop or two of that charming personage had brimmed over from his head into his heart. Their romantic drive had ended in no more romantic a locality than the railroad station; there he had parted from her, perhaps forever. For she had assured him that after her meeting with the rosetted Frenchman the air of Trouville would not be good for her, and she had taken the night mail for Paris. Her maid was to follow on the next day with luggage. As soon as she was safely established, and had, at least temporarily, thrown the enemies of her unhappy country off her track, she was to let May (her deliverer, as she entitled him) know,[46] and he could see her again. But, alas! as she tearfully remarked, that might never be. The French republic was now seeking to curry favor with the despotism of the Czar, and even Prince Obstropski had had to leave Paris for Geneva. Austin wanted to kiss her hand as she departed, but feared lest this trivial homage should jar upon a heroine like her. The bell rang, the guard cried out; one last glance of her dark eyes, and all was over. She was gone, and May felt that perhaps the most romantic episode of his life was ended.

He went back to the hotel, but, unfortunately, none of the famous Eclipse claret was at hand. So he contented himself with brandy and soda. Visions of nihilistic fair ones, of Polish patriots and Italia irredenta kept him wakeful through the night. For the Comtesse had told him of her Italian descent, of her alliance with the great patriot Milanese house, the Castiglioni dei Cascadegli.... And the Count Polacco de Valski was immured for life in the Siberian mines.... Poor devil! May cut another cigar, and reflected upon the Count’s unhappy condition.

[47]In a few days he received a letter from the countess. It was a mere line, incidentally telling him that she had not established herself at Paris, but at Baden-Baden; but it was principally filled with pretty thanks for his “heroic chivalry.” The expression had seemed a trifle too strong at the time, even to Austin May.

But when he arrived at Baden-Baden, and saw how charming the countess was in her now elaborate entourage, he made allowances. Man is generous by nature, especially to beautiful heroines with husbands in Siberian mines. May thought of the hapless Polacco de Valski as turning out polyform lead-pencils by the ribboned bunch, and marking them BBBB, and then, alternately, HHHH. May had been much exercised in mind how to explain his sudden trip to Baden-Baden, and had devised many plausible reasons for going, all of which proved superfluous. The countess did not seem in the least surprised. He found her weeping over a letter. “See,” said she, “it is from Serge.”

The countess folded the letter, kissed it,[48] and replaced it in her bosom. This was an extremely embarrassing proceeding to May, and he kept some time silent. With his Anglo-Saxon awkwardness at social comedy, he thought that Polacco might as well be kept out of the case.

The drives about Baden-Baden are charming. You wind for miles upon the brows of castle-crowned hills, overhanging the gay little valley; and then you plunge into the ancient gloom of the Black Forest, and the eerie pines, and a delicious shiver of wildness and solitude, all the time with the feeling that the Kursaal and its band are close at hand, should the silence grow oppressive. There, if your heart do trouble you, you can look at pretty women; and, if the eternal verities beset your spirit, gamble for napoleons.

The countess drove two little cream-colored ponies, and encouraged May to smoke his cigarette most charmingly.... Bah! why go on with it? Even now, over the Eclipse claret, May could not but admit[49] that he had spent in Baden-Baden three of the most charming weeks of his life. He would not mind passing three such weeks again, could he be sure they would be just three such weeks, and that they would end at the same time. But, que diable! because the play is amusing, we do not wish to stay in the theatre forever. And May nervously glanced at the window, as he thought he heard the sound of carriage-wheels again. He had smoked too much strong tobacco, probably; but, after all, it was even now only the middle of the afternoon—not sunset, or near it. He might have to come to stronger drugs than tobacco, to stronger deeds than tobacco-smoke, ere the evening was over. Hence that arsenal with which he had provided himself.

Well, to cut it short, he fell in love with her. Of course he did. He adored her. Possible! He wanted to marry her. This seemed impossible; but he had most certainly said so. He was barely twenty-five, and she—well, she was older than he was. And she had a husband in the Siberian mines. As May looked back upon it, this seemed her only advantage. But, after all,[50] it was her patriotism that first attracted him—her heroism, her devotion to her unhappy cause, or causes. Italia irredenta! Poland! Nihilism! For May was not quite clear which one or more of these was chief in her mind; and nihilism was a new word then, but it sounded dangerous and attractive. Could he not be her chevalier, her lieutenant, her esquire? It was no more than Byron had done for Greece, after all. He was free, independent (for the next eight years)—broken-hearted, he was going to add, but stopped. After all, May Austin had not refused to marry him; and three of the eleven years were gone. At all events, there was nothing to prevent his attaching himself to a forlorn hope, if he chose. Eight years of chances were in his favor; and at the worst—if neither May Austin got married, nor Polacco died—he could make a rescue of the husband from Siberia and do the BB pencils himself. He lay awake many nights thinking of these things, and at last he was emboldened to speak of them to her.

How well he remembered the day he did so! The day—but no, it was evening.[51] They had driven out after dinner, (did any man ever propose before breakfast?) and the scene was a moonlit glade in the Black Forest. The two ponies stood motionless; but their fair owner was much moved as he poured into her delicate ear his desires and devotions. It was so noble of him, she said, and was moved to tears. And then his devotion to her unhappy country! and she wiped away another tear for Poland or Italia irredenta. How she wished Serge could have met him, and could know of this! And she wiped away another tear for Serge. But no, my noble American—noble citizen of a free country! It could never be. Poland and she must bear their woes alone. They could never consent to drag down a brave young Bostonian in their wreck. And then, how could she ever reward him? With her friendship, said Austin. But the Comtesse seemed to think her friendship would be inadequate.

The scene was becoming somewhat oppressive; and May, at least, was conscious of a certain difficulty in providing for it a proper termination. In the excitement of the occasion, he had felt emboldened to[52] take one of her hands, which he still retained; the other was holding the reins of the two cream-colored ponies. He could hardly simply drop it—the hand and the conversation—without more; and yet what suitable catastrophe could there be for the situation? Might he kiss it, and cut the conversation? It were a mere act of courtesy, no breach of respect to the absent Serge. As a boy of twenty-two he had never dared; but as a man of twenty-five——

She did not seem in the least surprised. Possibly she had thought him older than twenty-five. But May, after that little ceremony, had dropped the hand most unmistakably; and she turned the ponies’ heads away. May gave a last look to the forest-glade, as they drove out from it, and reflected that the place would be impressed upon his memory forever. It was really astonishing the number of places that were to be impressed upon his memory forever!

A restless week followed. He saw the Countess de Valska every day; but there was something uncomfortable in their relations—a certain savor of an unaccepted sacrifice, of an offering burned in vain.

[53]The countess would not let him seek the Austrian foe on her own behalf, nor yet bedew the soil of Poland with his blood; and it was very difficult to say what he was to do for her in Baden-Baden, or, for matter of that, what the noble Polacco de Valski could do in Siberia. Poor Serge!

Yes, poor Serge! On the eighth day, Austin May, calling on the countess, found her in a lovely négligé, dissolved in tears. (He had been refused her door, at first, but finally, after a little pressing, had been admitted.) The countess did not look up when he entered; and Austin stood there, twisting his hat in sympathy, and looking at her. Suddenly she lifted her head, and transfixed his blue eyes with her dewy black ones.

The countess dropped her lovely head in a shower of tears, as when a thick-leaved tree is shaken by the wind, just after rain.

“Nineteen months. He died on the 23d of February, 1877—three weeks after the last letter that I ever got from him.”

“Was it not cruel? The despotism of the White Czar! Sometimes they would keep his letters for a year, sometimes they would let them come directly. They would not let me know for fear that I—ah, God!” She sprang to her feet with a sweep of her long robe, and shook her jewelled finger at the chandelier.

“Can you blame us that we kill and die for such a despotism, such a tyranny, as that?” Then suddenly, as she crossed by a sofa, she straightened up to her full height, like a wave cresting, poised a brief second, then fell in a heap—a graceful heap—her head resting on the sofa in her hands.

Then the young man had to seek, not to console her, but to calm her, to lift her from the floor, to bring her ice-water, a fan, a feather, pour oil and salt upon the wound,[55] toilet-vinegar, or other salads. May never knew exactly what he did; but it was like consoling an equinoctial gale. Hardly had she got fairly calm, and sobbing comfortably, and sitting in a chair, and he beside her—and he remembered patting her clasped hands, as one does a spoiled child’s—when she would dash upright, upsetting the chair, and swear her vengeance on the cruel Czar.... And at this point in his reminiscences May winced a little; for he had by no means a distinct recollection that he had not sworn his vengeance on the Czar with hers. And, when you come to think of it, the Czar’s injuries to Mr. May cried not as yet for deeds of blood.

May repeated his visit of condolence every day for several weeks. At the end of that time the season at Baden-Baden was drawing to a close, and it became necessary that the countess should betake herself and her sorrowing heart to some other refuge. May knew this, and it troubled him.

For he now felt that he not only admired Mme. de Valska as a patriot, but that he loved her as an exceedingly beautiful and fascinating woman. Surely, here was the heroine of his youthful dreams—a life that were a poet’s ideal.

To link himself with her and her noble aims, to be a Byron without the loneliness, to combine fame in future history with present domestic bliss—what a career!

He loved the countess, he adored her; and he fancied that she deigned to be not[57] indifferent to his devotion, to his sympathy. But—there was the shadow of the late count.

And the countess seemed much broken by his death. True, she no longer gave way to wild bursts of passion; she never wept; in fact, in Austin’s presence, she rarely mentioned him. But there was a sadness, a weak and lonely way about her, as if she could not live without her Serge’s protecting arm. It must have been a moral support, as he could have done but little from his Siberian mine; but, whereas she used to be brave, enterprising, facing the world alone, now she seemed helpless, confiding, less heroic, perhaps, but still more womanly. Austin only loved her the more for that And it emboldened him a little. After all, her husband had been dead a year and a half, though she had only known of it a few weeks. He determined to speak. Why should his life’s happiness—possibly hers—be wrecked upon a mere scruple of etiquette?

He took his opportunity, one day, when she spoke of Italy. (Now, that the count was dead, she seemed to think less of unhappy[58] Poland, and more of unredeemed Italy; as was natural, she being a Cascadegli.) He took her hands at the same time, and begged that she would redeem him with Italy. His life, his fortune, were at her service, should she but give him the right to protect her, and fight her battles for her always. “I know,” he added earnestly, “how your heart still bleeds for your noble husband. But your duty is to your country, to yourself. And remember, though you heard of it but yesterday, the Count Polacco has been dead a year and a half.”

“Nineteen months,” sighed the countess, with a sob, going him four weeks better. And before he left the room they were engaged. He did not go to bed that night; but wandered in the moonlight, treading as on clouds. Favored young man!

In the morning, he noticed with delight that she had laid aside her long crape veil. Already, said she, her country called for her; she must recommence her labors, and the deep mourning would attract too much notice. May had vaguely fancied she would start at once for Milan or Warsaw, and after a few months’ delay he would meet[59] her, and they would have a quiet marriage ceremony. But she explained to him that the true arena of her labors was in Paris. Here was the focus of conspiracies; here she must live and have a salon, and call together her devoted countrymen. Here she would need his protection, and, with his American passport, he could safely visit her oppressed fatherland, when events required action on the spot.

Obviously, as he recognized with joy, this plan made it necessary for them to be married immediately. But then he must speak to her of his uncle’s will. Not that it mattered much; he was quite ready to renounce fortune, even life, for her; but she must know that they would not be rich. It was a mere formality; but it must be done. So he told her of the curious will; and how, if he married before August the fourteenth, 1886, he was to lose all his uncle’s property, even to what remained of the celebrated Eclipse claret. But then, what was money? Particularly to them, who had no other aims than love and patriotism; both commodities not to be bought, or measured in sterling exchange or napoleons.[60] But the countess seemed to attach much weight to May’s communication.

Money, alas! was in these sordid times necessary, even for patriotic revolutions. The wheels must be greased, even when Bucephalus drew the chariot. Still, this was not the essential. She was quite willing to share her small fortune with the man whom she loved; but how could she bear to ruin him—to make her alliance his sacrifice? Suppose he should ever repent his action? And here May began to make his oaths eternal; but she stopped him. Was there no other way? Could there be no escape, no legal device? Lawyers would do almost anything, if paid enough. But May shook his head, and pressed again her hand to his lips; and her dark eyes brimmed with tears.

She, for herself, would be willing to suffer him as her adorer, to trust him as her knight, her follower, as he once had proposed before. And, by that arrangement, he would not lose the fortune. But what would the world say—the cold and heartless world? And she looked at May imploringly, as if for advice.

[61]And May had to admit, in answer, that the world would be likely to make itself as disagreeable as usual under similar circumstances—particularly, now that the unhappy count was dead, and could no longer defend his heroic consort from the spite of petty spirits. The moral support was something, after all. May had true Boston reverence for what the world said; and it never occurred to him that even a heroine, who had braved two emperors, might brave its verdict.

For some moments neither spoke. What was there to say? But the silence grew oppressive; and at last she broke it with a cry.

But at this May broke out with a round oath. Farewell it should never be. What cared he for his uncle’s fortune, or for the estate in Brookline, when his future lay in Poland? He would have a little left; he could win more by his own exertions. For a moment his impetuosity almost overbore her resistance. But then the Paris salon was a necessity; and half of her own estate and all of poor Polacco’s had been seized[62] by foreign despots. She would think it over. She would give him an answer that night. And then there came a lover’s parting; and May went back to his hotel, not wholly desperate, and got the engagement-ring he had ordered, and sent it to her. It was of small diamonds; but then there was a necklace, sent from Paris, of perfect Oriental pearls. A woman could afford to get engaged once a month, for such a necklace.

And he had gone back that evening, and he had found a letter. The countess had gone, leaving the note behind her. It was edged with deep black; and May took it now from his pocket-book, yellow and worn, with a smile that would have been cynical had it not been slightly nervous.

“Très-cher!” it began, “I cannot bear” (it was all in French, but we will make clumsy English of the countess’s delicate phrase, as did May, when he read it now) “that your love for me should be your ruin. It is too late for me to deny that you also have my heart; I can only fly. Otherwise my woman’s weakness would destroy either you or myself. I shall go by the morning train to Frankfurt, where I shall stop two[63] days. If you do not wish to betray me, seek not my refuge out. I shall keep the ring as a pledge” (she says nothing about the necklace, it occurred to May, at this late date)—“a pledge that I shall be faithful to you, as, I hope, you to me. For what are six or seven years?” (At her age! thought May, with a shudder.) “I will devote them to my unhappy countrymen.” (Compatriotes was the original, which may be feminine.) “But wait for me until you are free; and perhaps, who knows? my Italy redeemed! I will join you, and be one with you forever. Meantime you will travel, possibly forget me! But on the fourteenth of August, 1886, you will be at home. On that day you will hear from me!”

May laid the letter down and shuddered. This was most unquestionably the fourteenth day of August in the year eighteen hundred and eighty-six. He seized nervously the glass of claret; but, as he raised it to his lips, looked through the blinds, in the direction of the house. His second glass of claret fell unheeded to the floor.

A carriage was standing before the front door, and beside it stood a footman in livery.

The three years following May’s unhappy affair with the Countess Polacca de Valska had been uneventful. He had not plunged again into foreign parts, but became a student of the barbarities of civilization. He saw what is termed the world, particularly that manifestation of it which attains its most perfect growth in London and Paris. Perhaps it would be too much to say that he forgot the Countess de Valska, but certainly his feelings toward that unhappy fair one underwent certain modifications. And as he was in the meantime in the receipt of some twenty thousand a year from the estate of the late John Austin, he by degrees became more reconciled to the extremely practical view the cruel countess had taken of their duties in relation to that gentleman’s will.

[68]He very often wondered as to who might be the residuary legatee. It would be a wild freak, that he was sure of. It was quite on the cards for Uncle Austin to have provided that, since his nephew did not want the money, it might go to the devil for all he cared—or to the Total Abstinence Society.

It is more sad to say that, as time went by, certain metaphysical doubts as to the objective reality of the Cascadegli and the Siberian mine began to obtrude themselves. Faith of the most stubborn description remained to him, so far as the countess’s Paris salon and her beautiful self was concerned, but he failed to see the necessary connection between Trouville, Baden-Baden, Italia Irredenta, and the Parisian police. And Serge had removed himself, for an encumbrance, in a singularly accommodating way.

But May was a man of his word; and he looked forward, at first eagerly, and afterward with mingled emotions, to their promised next meeting in Brookline, Mass.

The woman Byron might have married was not the wife for Talleyrand. And May’s[69] volcanic or Byronic age had passed, and he was in the tertiary period. Taking her for all she said she was, she wouldn’t do in society, and he doubted that she was all she said she was.

However, it gave him no serious trouble until after his acquaintance with the beautiful Mrs. Terwilliger Dehon. Youth has a long future ahead of it, and a young man of twenty-seven easily discounts obligations maturing only in six years. But when May was thirty, and well launched in London society—whether it was the charms of Mrs. Dehon aforesaid, or the vanishing of youthful heroism and that increase of comfort which attends middle life—a political heroine like the Countess Polacca de Valska no longer seemed to him the ideal consort for a man of his temperament.

Young men have their time for falling in love with comédiennes upon the stage; and then they turn to the comédiennes of real life. Only in the latter case it is to be noted that they ever prefer the heroines of a tragedy.

It was on the very evening before all advice became superfluous, that he confided[70] his troubles to Tom Leigh, and asked his advice. Tom Leigh advised him that “he was in a devil of a hole.”

“But what am I to do?” said May. “I am bound to meet her—in five years.”

“Perhaps she won’t come,” said Tom. But Austin shook his head. If she didn’t come, there was May Austin—but he checked himself. He had never spoken of his cousin to Tom Leigh. She was doubtless married ere this; and if she wasn’t, he preferred her to the countess.

“Perhaps her husband ain’t dead,” suggested the resourceful Tom. But May smiled, bitterly. “I guess he’s dead enough—much as ever he was.”

“Then I don’t see but what you’ll have to stand the breach of promise suit,” Tom concluded, with a grin. In these misfortunes, truly, there is something pleasant to our best friends. We know that Messrs. Winkle and Tupman must have chuckled in secret over even Bardell vs. Pickwick. But the idea was unspeakably awful to our fastidious hero. Moreover, he darkly imagined that the countess had other resources than a breach of promise suit.

[71]This was on the evening before the hunt; on that epochal brink of their first meeting. And on the next day all this talk became superfluous; as superfluous as for Falstaff to demand the time of day.

Mrs. Terwilliger Dehon—ah, Mrs. Dehon! Great heavens! why had they not met earlier—before she had sacrificed herself upon Terwilliger’s commonplace altars—before her radiant youth had been shrouded in tragedy?

The Russo-French police may be successfully evaded, but not so the laws of society. Naught but misery could he see in store for them both—one long life-agony of divided souls.

Of course, it took some time before this dismal prospect lay fairly out before them. At their first meeting there was nothing sadder in sight than the purple hills of Exmoor and the clear cascade of Bagworthy Water; and their talk was broken only by the cheerful yelp of hounds. And there had been fortune, too, in this; fortune we[73] call fate, when fortune turns out ill. He had hardly seen her at the Cloudsham meet, and but just knew who she was. Thither he had gone with his friends, the Leighs, to see the red deer hunted in his ancient lair; and as he stood there, snuffing with his horse the sea-breeze that came up from Porlock Bay, immaculate in coat and patent-leathers, she had ridden up with a fat and pursy citizen beside her. This stall-fed citizen was horse-back on another square-built brute, and it was very Psychecide to call the wretch her husband. A Diana, by heaven! thought he; and, indeed, she sat her horse as any goddess might, and clothed her own riding-habit as the moon her covering of cloud.

“That’s the girl that married old Dehon,” said Tom. “She did it——”

But when or how she did it Austin never knew, for just then there was a joyous baying from the hounds, and whish! they scampered downward, skirting hanging Cloudsham Wood. Unluckily, they were at the wrong end of the field, and before they reached the steep bit of gorsy moor[74] that overlooks the valley everyone else who meant to ride had disappeared in the cover of the forest. She reined in her beautiful horse on the very brink, and looked up the valley over Oare Hill; May stood a few yards below and looked down the valley in the direction of Porlock. Then she looked down the valley to Porlock, and May looked up the valley to Oare Hill. And their eyes met.

Her beautiful eyes glanced quickly off, like a sunbeam from a single eyeglass. She turned, as if in sudden decision, and sped like an arrow over the high moor. May’s eyes followed her; and his soul was in his eyes, and his body went after the soul. One dig of the spurs nigh unseated him, as if his spirited horse scorned such an incitement to chivalric duty; and so, for some twenty minutes on end they rode, May neither gaining nor losing, and both out of sight of the rest of the hunt. Now and then the cry of hounds came up from the forest-valley on the right, and May fancied he heard below a crashing as of bushes; but he had faith in his guiding goddess and he took her lead.

[75]The high winds whistled by his head, and there were blue glimpses of the sea and wide gray gleams of misty moorland; but the soft heather made no sound of their mad gallop, and May was conscious of nothing else save the noble horse before him and the flutter of the lady’s riding-habit in the wind. Now the earth that rushed beneath was yellow with the gorse, now purple with the heather; here, he would sail over a turf-bank, there, his horse would swerve furiously from the feeling of an Exmoor bog; where she would ride, he would ride. This he swore to himself; but she rode straight, and he could make no gain. At the top of the moor, almost on the ridge of Dunkery Beacon, was a narrow cart-path, fenced six feet high in ferny turf, after the usual manner of Devonshire lanes. May saw it and exulted; this was sure to turn her, till she found a gate at least.

But his beautiful chase rode up the gentle inner incline and sailing over the lane like a bird, was lost to sight upon the other side.

[76]He rode at it and cleared the six-foot width of lane successfully; but his horse could not bunch his legs upon the narrow bank beyond. He rolled down it, and May over his head into a bank of heather.

The eager American prematurely began to swear before his head struck the ground; and before his one moderate oath was finished, he was upon his horse and off again. Mrs. Dehon had not even turned round upon his disaster; but May was none the less attracted to her by that. What was mortal mishap to a spirit wrecked like hers? Why should she?

They were riding down hill now; and she was riding a little more carefully, favoring her horse. But May cared neither for his horse nor his neck by this time. Straight down the hill he rode; and by the time they reached the Lynn he had gained the quarter-mile he lost. Here she had pulled up her horse, and he pulled up his at a courteous distance; and both sat still there, in the quiet valley; and the noise of their horses’ breathing was louder than the rustle of the wind in the old ash-trees around them.

[77]May wondered if his pilot was at fault; but hardly had the thought crossed his mind before they heard again the music of the hounds, at full cry; and far up, two or more miles away, toward the Countisbury road, they saw the stag. Though so far off, he was distinctly visible, as he paused for one moment on the brow of the black moor, outlined against the blue sky; then he plunged downward, and the hounds after him, and May’s horse trembled beneath him; and May wondered why his goddess was not off.

But instead of riding down to meet the hunt, along the valley of the East Lynn, by Oare Church and Brendon, she turned and rode up in the direction of Chalk-water. May followed; and hardly had they left the Lynn and gone a furlong up the Chalk-water Combe, when she struck sharp to the right, breasting the very steepest part of Oare Oak Hill. If she knew that he was behind her, she did not look around; and May again had all that he could do to keep his guide in sight.

And now the event proved her skilful venery. For as they crested Oare Oak[78] Hill, and the long bare swell of the moor rolled away before them, the sharp cry of the hounds came up like sounds of victory in the valley just below. Well had Diana known that either way of the Lynn would be too full of his enemies for the now exhausted deer to take. It must make for Bagworthy Water. Long ere they had ridden down the Lynn to the meeting of the streams, the hunt would have passed; but now, as they looked across and along the lonely Doone Valley, they saw the full pack far down at their feet, close by the foaming stream.

Then May could see his leader whip her horse, as if she would open the gap between them; and he set his teeth and swore that he would overtake her, this side the death. And he gained on her slowly, and the purple and yellow patches mingled to a carpet as they whirled by him, and he felt the springing of his horse’s haunches like the waves of a sea; and below them, hardly apace with them, was the hunt and the cry of hounds. Down one last plunging valley—no, there was another yet to cross, a deep side-combe running transversely, its bottom[79] hid in ferns. But the hounds were now abreast of them, below, and there was no time to ride up and around. May saw her take it; and as she did, a great shelf of rock and turf broke off and fell into the brook below. He saw her turn and wave him back; it was the first notice she had taken of him; and he rode straight at the widened breach and took it squarely, landing by her side. Then, without a word, they dashed down, alongside of the slope, and there, in upper Bagworthy Waters, found the deer at bay, and the hounds; but of the hunt no sign, save Nicholas Snow, the huntsman, with reeking knife. He had already blooded his hounds; and now he sat meditatively upon a little rock by the stream, his black jockey-cap in his hands, looking at the body of the noble stag, now lifeless, that had so lately been a thing of speed and air. A warrantable deer it was, and its end was not untimely.

May pushed his panting horse up nearer hers. She was sitting motionless, her cheeks already pale again, her eyes fixed far off upon the distant moor. “Mrs. Dehon!” said he, hat in hand.

For one moment she turned her large eyes down to him. “You ride well, sir,” said she.

When the M. D. H. and others of the hunt came up, they found these two talking on a footing of ancient friendship. The slot was duly cut off and presented to Mrs. Dehon; and many compliments fell to our hero’s share, for all of which May gave credit to the beautiful huntress beside him.

Tom Leigh cocked his eye at this, but did not venture to present him to her after that twenty-mile run. It were throwing the helve after the hatchet, to present the man after the heart. And thus it happened that to her our hero was never introduced.

When Mr. Dehon arrived, some hours later, Tom Leigh led him up. “Mr. Dehon,” said he, “I think that you should know my particular friend, Mr. Austin May.” And Tom Leigh cocked his eye again.

[81]May looked at the pursy little old man, and felt that his hatred for him would only be buried in his enemy’s grave. But his enemy was magnanimous, and promptly asked them both to dinner, which May did not scruple to accept.

Austin May fell devoutly in love with Mrs. Dehon. This was without doubt the grande passion of his life. And it was hopeless.

He was just at the age when such affairs are sternest realities to modern men. He was beyond the uncertainty of youth, and before the compromises and practicalities of middle life. And there was something about Gladys Dehon to make a man who cared for her ride rough-shod, neck or nothing, over all things else. All the world admired her; would have loved her had it dared. There was no daring about it in Austin’s case; his audacity was not self-conscious; he simply followed her as he had followed her over combe and beacon on that Exmoor day.

People could tell him little about her, save[83] that she had been very poor and very proud, and was very beautiful. Gladys Darcy—that had been her name—last of a broken family of Devon and of Ireland. She had neither sister nor brother, only a broken-down father, long since sold out of his Household captaincy. She had sold herself to Terwilliger Dehon, the rich speculator; and she was his, as a cut diamond might have been his; bought with his money, shining in his house, and he no more within her secret self than he might have been within the diamond’s brilliant surface. And two months after the wedding her old father had died and made the sacrifice in vain. Then she became the personage that the world knew as the “beautiful Mrs. Dehon.” May used to dream and ponder about her, long hours of nights and days; and he fancied that something about her life, her lonely bringing-up, her father’s precepts, had made her scornfully incredulous of there being such a thing as the novelist’s love in life. She had been a greater nature than her father, and all mankind had been nothing to her as compared with even him. Too early scorn of this[84] world’s life prepares the soul for evil compromises.

Her character, her nature, she expressed in no way whatever. She had neither intimate friends, charitable occupations, tastes, follies, nor faults. She shone with a certain scornful glitter of splendor, but even of old Dehon’s millions she was not prodigal. She never flirted; she never looked at one man long enough for that. Her one occupation was hunting, and she rode to hounds in a way to jar the nerves of every M. F. H. in England.

Tom Leigh was afraid of her; and when they were asked for a week’s visit that autumn, in their box in Leicestershire, refused to go. May went. And if there was a man of whom she was not utterly unconscious, he surely was the one. Perhaps there was something about his way that she liked. For, with neither much speech, delay, nor artifice, our hero made his heart and soul up into a small packet and threw them into her deep eyes; and when she looked at him, he had them; and when she looked away, they were gone. And this he did perfectly frankly and directly, but without spoken[85] words. The world saw it as clearly as did she, and liked him none the less for it. He was quite incapable of any effort to conceal it; old Terwilliger might have seen it had he been so minded. Possibly he did, and the knowledge lent an added value to his chattel in the old stockbroker’s mind. Mrs. Dehon herself treated May with perfect simplicity, but with an infinite gentleness, as the moon-goddess might have looked upon Endymion.

This state of things got to be perfectly well known to the world. Such things always are well known to the world; nothing is more striking than the perfect openness with which our heart-histories are revealed in modern life, except perhaps the ease with which those most intimately concerned maintain a polite and unembarrassed appearance of utter ignorance upon the subject. All the world loves a lover, particularly a hopeless one; and it was quite the mot d’ordre of society that year for people to ask Mrs. Dehon and the handsome American to their houses together.

And Mrs. Dehon? Well, before the coming of spring she felt a great and trustful[86] friendship for this incidental castaway upon the waters of her troubled life. May afterward remembered that she told him many things about herself; and she had spoken of herself to no one else before, her own father included. She even let him see a little of her heart. And it is an axiom that he who sees ever so little of a woman’s heart has but to take it. Seeing is possession. This is the wisdom of the fair Melusine, and other wise old mediæval myths.

It is needless to say that May had absolutely forgotten the Countess de Valska; more completely than even she had forgotten the Siberian mausoleum of her Serge. If May thought of her once in that year, it was to dismiss her memory with a curse for his own folly, and a mental oath that no Trouvillian countess would part him, should his way ever be clear to Gladys Darcy. He would not recognize the hated name of Dehon, even in his thoughts.

In his despair, he confided in Tom Leigh again. Tom saw no reason to change his previous opinion. The hole seemed if anything deeper, now that two were in it. “I don’t see but what you’ve got to escape[87] the countess, bring Serge to life, kill old Terwilliger, and thus give her two years’ mourning,” said he. “Why the deuce didn’t you find her out first?” he added, ruefully. “Old Terwilliger only married her eighteen months ago.”

“I don’t know,” said May. “Why don’t you invent his railway schemes, and discover his Cornish mines?”

“True,” assented Tom. “Old Dehon always does get in on the ground floor. However,” he added, brightening up, “if you can marry her, you’ll get her and his money, too.”

Tom looked shocked, and changed the subject, and May’s heart continued so to bleed internally that soon Gladys Dehon’s marble brow would soften to pity as she saw him wane. Meantime Terwilliger’s capon-lined stomach waxed apace, and even his digestion was to all appearance unimpaired.

Now, it is probable that ours is the first civilization known to history where this state of things could exist, be mutually known, and continue in tranquil permanency.[88] But it does—that is, it nearly always does—and it is a credit, after all, to our teaching and our times that it does so. The ancient Perseus cut Andromeda’s chains, and departed with her by the next P. and O. steamer they could signal; the modern one sits down on the strand beside her, and he and Andromeda die to slow music—that is, in case either should chance to die before the malady is cured. And Andromeda’s master relies on the strength of his chains and on Perseus’s good bringing-up, and is not wholly displeased at the situation. Particularly for a sly old stock-broker like Terwilliger Dehon, whose idea of values is based on the opinion of the street, a Perseus to his Andromeda is half the fun. The world, on the whole, approves the situation; but the husband Dehon is not a popular character, and it likes the Perseus better. Not, of course, that it is willing to condone anything improper, particularly on the part of Andromeda.

But Austin May stood the passive rôle for precisely twelve months; and then he made up his mind that something would have to break. He hoped it might be the neck of old[89] Terwilliger; but Providence seldom spoils a dramatic situation by so simple a denouement. And, to tell the truth, considering the way the three rode to hounds, it was much more likely to be his own or Gladys’s. One thing was sure: their triangular relations were too strained to continue. He came to this conclusion after one precisely similar day upon Exmoor, a year after their first meeting; except that upon this occasion the deer took to the sea below Glenthorne and was drowned, and he and Gladys rode homeward side by side in silence.

Accordingly, that night Austin May wrote a letter; and in the morning showed Terwilliger a telegram from America, took his departure, shook hands hard with old Terwilliger, barely touched the slender fingers of his wife, but, when he did so, left the letter in her hand. May kept no copy of this letter; but he remembered it very well. It ran as follows:

“Gladys:

“I must not stay in England any more. I cannot bear it. I know that you are unhappy, and I must go where, at least, I shall[90] not see it. Nor can I trust myself with you after our ride of yesterday.

“Remember always that, wherever I am, I am always and only yours. This is a very strange thing to say; but I think there are times when men and women should show each other their hearts, however much the truth may shock the prudes and pedants. And I do very much wish to say that if ever you are free, I ask you to marry me.

“It is a sad thing that the circumstances of your wedded life are such that I can say these things to you and not offend you. But you have shown me enough of your heart for this.

“I go now into Asia. A trivial duty will call me to my family home for one day, on August 14, 1886. Then, if I do not hear of you there, I shall disappear again. After that I shall write you once a year.

“Good-by,
“A. M.”

Poor Austin! A boy’s love feeds on the romance of hopelessness, flourishes apace in the shadow of despair; it delights in patient waiting, in faithful fidelity, in lapses of years; but a man’s is peremptory, immediate, uncompromising. Some secret instinct bids a Romeo to contemplate a tragedy with cheerfulness; and ten to one that his years of gloom change, as they fall behind him, to “un joli souvenir.” But a man, middle-aged, knows when he wants his Dulcinea, and he wants her here and now. No glamour of blighted affections can make up for the hard facts of life to him.

When a middle-aged man can’t get the woman he wants, there are three recognized and respectable courses open to him. He works a little harder, plays a good deal[94] harder, or he marries someone else. The last was out of the question for a man so consumed by the fires of passion as Austin May, but the fuel of his heart was transformed into nervous energy of the entire system. He plunged again, like a rocket, into a rapid and circuitous course of travel and adventure; and, after a brilliant career through the remote East, descended, like a burned-out stick, some fifteen months later, in San Francisco. Thence he went home.

The fact was, he wanted rest. His heart was tired of throbbing, his head weary with thinking. And all his mad adventure had only tired the body, had made him sleep at night, nothing more. He had been through the world again, but Gladys Dehon was all of it to him. He thought of her now with a certain dull pain—less madly, more hopelessly, than in England the two years before.

He could not bear to go back to his home. He went to Boston, and he saw his lawyers; but he did not go out to Brookline. This he vowed he would not do until that day when he had promised Gladys he would be there. He did not forget that he had[95] promised the countess, too; but he was no longer so much troubled by the countess. He would kill her, if necessary.

Meantime, he went to pass the winter in New York. He had himself elected a member of two fashionable clubs. He followed the hounds in Long Island and in Jersey. He went to dinners and he danced at Germans, albeit with an aching heart. He renaturalized himself; he made friends with his countrymen, and he studied his countrywomen. He got himself once more désorienté in American society. He observed what respect was everywhere shown to the VanDees, and how little, comparatively, one thought of the McDums. He found that civilization was pitched on a higher scale, financially, than he had supposed. Thirty thousand a year was none too much for a man to marry on. Now, Austin had not over twenty thousand, even if he fulfilled the hard conditions of his uncle’s will.

He took an interest in yachting, and gave orders for a cutter that was to beat the prevailing style of sloop. He also imported a horse or two, and entered one of them at Sheepshead Bay. He had a luxuriously[96] furnished flat, near Madison Square. He went to St. Augustine in the spring, with the VanDees, and while there was introduced to Georgiana Rutherford. He saw her afterward in New York, and early in June he asked her to marry him.

Miss Rutherford was a young lady of supreme social position, great wealth, and beauty. She had for two years been the leading newspaper belle of New York society. Her movements, her looks, her dresses, the state of her health, the probable state of her affections—everything about her, to the very dimples in her white shoulders—had been chronicled with crude precision in the various metropolitan journals having pretensions to haut ton (for high tone is not a good translation), and had thence been eagerly copied throughout the provincial weeklies of the land. Miss Rutherford was absolutely a person to be desired.

It would not be fair to May to say that he was false to Gladys Dehon. His passion for her, too vehement, had fairly burned itself out. In the two years since he had left her, May’s heart had, as it were, banked its volcanic fires. However fissured were its ravined[97] depths, the surface was at rest, and the lava-flood that concealed it was already cool. And a beautiful huntswoman who had ridden out of sight of her first husband, as had Gladys Dehon, was not at all the sort of person for middle-aged Austin May to marry and bring to Boston. These things he felt for some weeks before he proposed to Miss Rutherford, and she was precisely the sort of girl he saw was best. If old Uncle Austin had selected her himself, he could not have made a better choice. And well, thought May, he saw the motives of his kind old uncle’s will, and the wisdom born of much experience, and long consideration and a knowledge of Eclipse claret that had prompted it. A young man, if left to himself, would choose him a different wife for each three years of his life. It is only after he has run the gamut of all impossibilities that he settles down upon the proper thing. And this, at last, May felt assured that he had done.

May did not pretend to himself that he loved Georgiana Rutherford as he had loved Gladys Dehon. Even now, he was not blind to that. But he thought that she was pretty,[98] and well-placed, and good style; and she had a large fortune, and a still larger family connection, all of the very best securities.

In fact, May, at least so far as he admitted to himself, did not do justice to the qualities of Miss Rutherford. Miss Rutherford was a very charming girl; much cleverer and much better educated, to say nothing of her style and beauty, than any embryo Gladys Dehon that May had ever seen. She was perfectly mistress of her own heart, as she was of her own fortune, and it was dangerous to present to her foreigners, lest they afterward shot themselves. They always went wild about her; much to Miss Rutherford’s discomfort. Some would besiege her; others would curse her; others, still, say evil things about her in the true Parisian manner. Miss Rutherford remained “more than usual calm” through it all.

She had the reputation of being a flirt, but it was not so. She tried her adorers, Portia-like, successively; the moment that they failed to reach a certain standard, it was entirely right and fair for her to drop them. Some of them would cry that they were hurt, and these she contemned from[99] her very soul. She did not regard such matters as subjects for tears. Marriage was a step in life, like any other, and only deserved more serious consideration because it was final.

This was the woman whose love was to make heart-haven for Austin May; the serious, sober choice of his manhood, after all his boyish follies were past. He had told her very seriously and politely of his desire to marry her, one Sunday evening, on the piazza of a house at Newport. It was necessary for him to speak in a low tone, as the people of the house were not far off. She was silent for some seconds, and then he had kissed her.

But here came in the first really difficult thing to do in the whole proceeding. Not, indeed, the kissing her. But how was he to tell her of the countess and Gladys Dehon? And yet he must tell her, if only to explain the necessary delay in announcing their engagement. He looked at her in the light that came from the late sunset; how perfectly of the great world she was! He could not bear to lose her now; she was just such a wife as he would invent for himself, had[100] she not existed. She was sitting silently, in a pose that was full of grace and training; much too finely bred to be blushing because he had kissed her. No man had ever kissed her before; and yet, when she deemed that the occasion had come when she could fitly let one do it, she no more blushed because she had so resolved than she would blush at entering a ball-room.

Then he pulled himself together, and told her very calmly the history of his life. She was greatly interested, and listened with attention and sympathy.

“That,” said Miss Rutherford, “I must leave to you. You can’t keep your word with both of them.”

“You surely do not expect them to cross the Atlantic in person to meet you?”

“Oh, no!” said May. “They won’t do that—but they may write or telegraph.” But May did not feel sure what Mme. Polacca de Valska might or might not do.

[101]“At all events,” said she, “I think our engagement had better not come out until after the 14th of August.” And May felt constrained to admit that this was best.

But Miss Rutherford was firm. She would not have him with her every day unless she could tell people that they were engaged. What was she to say to the world if, after that 14th of August, he were to be engaged to Mrs. Dehon, for instance? This she delicately hinted; but, moreover, she told him she had promised to visit the Larneds, at Pomfret, and the Charles Mt. Vernons, at Beverly, and to spend three weeks with the Breezes, at Mount Desert, in August. He could not trail about after her; and it was only three months, after all. So May had consented, with an ill grace; and when she left, two days later, he found nothing better than to join VanKnyper on a yachting cruise. Then he had gone up on the Restigouche, salmon-fishing; and on the 12th of August he was in the Maine woods.

In the leisure of the forest, Austin May reflected—for the first time comprehensively—upon his conduct of life. It seemed to him that the only sensible action of many wasted years was his getting engaged to Georgiana Rutherford; and yet, for the moment, it rather added to his perplexities. He felt convinced that Tom Leigh would say it put him in a greater hole than ever. Here was he engaged to three women at once, and all the engagements matured upon the fourteenth day of August proximo. Why is it that there is not such a thing as the making an assignment for the benefit of one’s heart’s creditors? He might then place himself in the hands of some respectable chaperone as assignee, and pay each of the contracting parties thirty-three per cent. Or he might even get a composition, or an[103] extension at long time. Possibly the other two would assign their claims to Georgiana. If she were the sole creditor, he fancied that they might effect an arrangement. She certainly had the only lien on the few remaining assets of his hard-worked ventricles.

Georgiana Rutherford! What a perfectly civilized creature she was. How well she would look at the end of the state dining-table in the Brookline house, with the épergne in front of her. Then how gracefully she would sweep out, at the head of the procession of ladies—Brookline ladies, with a guest or two from Boston or Jamaica Plains—and leave him and his friends to their bachelor-talk and cigars. But first, after being married, he had promised to take her up the Nile. May had already been up the Nile.

May slipped off the rock into the rushing river. He had got to thinking, in the absence of salmon, and forgotten his whereabouts. It was clumsy of him, he reflected, as his boots queaked soddenly campward. He was getting heavy, and slow, and middle-aged. And suddenly he felt a yearning for[104] the wilds, for wilder wilds even than Aroostook County. He had been now for six years in high civilizations—Japan, India, England, or, at worst, the States. There were several dreams of his scheming-time not yet effected. Among others, a trip from Hudson’s Bay, in canoes, through the Great Slave lake to the Pacific. He was almost on the ground, with good guides and an outfit; why not start at once? But there was the fourteenth of August next to come, he reflected.

A strange wagon was in the camp when he got back; a single buckboard from the nearest settlement, and it bore a pretty girl. May had conversation with her. A veritable Lady of the Aroostook was she; not over-idealized, like the heroine of Mr. Howells. Really, she had a certain rudimentary charm. Suppose, thought May, I were to make her my dusky bride? For dusky, read freckled.

By Jove, thought May—an idea indeed. If he gave it out as such? If, in consideration of a trip to Boston, new bonnets, and a junket of quite Merovingian dimensions, she were to consent to go to Brookline and[105] personate his bride, for that day only? How natural that he, at the very end of his eleven years, should have plunged into nature and married la première venue. It was just the thing, he felt assured his friends would say, that he was certain to do. Why, even the heroes of the Lady of Aroostook did as much. And even the Comtesse Polacca dei Cascadegli de Valska could have nothing to reply to such a living argument as this Maine girl would present. My wife—Mrs. Austin May. Gladys Dehon would scorn, but believe. And then, having nobly earned her reward, his salvatress might retire to her primitive forest decked with new fal-lals to astound the rustic breast.

But now, confound it, here as always, the cursed conventions rose in his way. The proprieties were ever his fatality, a very ghost of Banquo at the feast of life. Why had he been born in Boston? True, they had once saved him from the countess; but now they were to offer him a humble sacrifice to her unlovely years. For she came first chronologically, and she was certain to come first in fact.

May had no further ideas; and he had to[106] leave his river at the height of the salmon season.

We have told how, on the 14th of August, he arrived at Brookline, true to his appointment with all three. He got to Boston late in the evening before, went to his club, passed a sleepless night, and took an early morning train for Brookline, as we have seen.

And, perhaps, as we have also seen, a much more awkward thing than this had happened. Austin May was there, ready to meet any one of them. The period of probation required by the will had elapsed.

But as May travelled up to the city in that hot weather, he had been wondering to himself which and how many of them he should see, and it had become very clear to him that he did not feel the least desire to see any one of the three.

His uncle’s will had well been justified. With shocked shamefacedness he thought of the countess, that Trouville heroine that he believed to be little better than an adventuress, a gambler, tracked by the police. And Mrs. Dehon—well, if Mrs. Dehon were to ride madly up that quiet Boston lawn,[107] May felt sure that he should flee in terror. And Georgiana Rutherford—now that it came to the point, and after his three months’ consideration, May did not feel that he wished to marry even Georgiana Rutherford.

He gave little thought to his impending doom, still less thought of escaping it. He was as one who had been released eleven years upon parole, and must now give himself up to be shot. He even gave himself little curiosity as to whose the fatal bullet would prove to be. A man ordered out with a file of soldiers to be executed looks upon the levelled row of muzzles with an absolute impartiality. He was in the position of the celebrated d’Artagnan, who, having three duels in the Pré aux Clercs, and certain of being killed by Athos at 12, gave himself little anxiety about Porthos, who was to follow at 12.15, or Aramis, who was only due at 12.30.

But, as the day wore on, and the reaction followed the artificial strength given by many cigars, his state of mind had approximated to an abject and unreasoning terror. And in this mood he was, late in the[108] afternoon, when he turned and saw, stationary before his front door, that carriage, with its footman in livery.

His one instinct was to conceal himself. Nervously he grabbed the heavy “Burton’s Anatomy;” the secret door swung open; the fountain in the lake began to play, and in a score of seconds May was hiding in its cool and watery depths.

When May emerged in the little grass island, screened safely by the play of falling waters, he was breathless with the run; and his heart pounded against his ribs with the violence of his emotions. The countess it unquestionably was. None but she would arrive in open carriage and pair and splendid livery. And May reckoned he would have to stay there, in the shelter of the fountain, until the light made his escape safe and possible. As for seeing her, that was out of the question. Had he still cared for Mrs. Dehon, he might have choked off the other one; but he had not pluck for it now. He had mildly hoped that Gladys and the countess might have arrived at the same time and settled it between them; but Allah had willed otherwise. It was damp[110] and uncomfortable upon the little island, however, without even a cigar; and he did not dare go back to the pavilion.

As he stood peering through the falling water the carriage turned about, left the house, and came down the driveway. May was astounded. He tried his best to see who was in it, but the distance was too great. He fancied that he made out a figure upon the back seat, but it was that of a young man. He was surely too young for Serge; but, possibly, Serge had left a son. This, indeed, was extremely probable. And the son was gone to the gate to await more formal introduction to his papa-in-law; and had left the countess in the house.

This was the most terrible possibility that had yet occurred to his fevered imagination, overwrought with suspense and too much tobacco as it was. For a moment the idea of the buggy and the fast horse in the stable presented itself as the only certain means of escape. But at the same instant he saw Fides emerge from the side-door, carrying something white in his mouth. The hound came to the door of the pavilion and scratched[111] there; not finding any response, he took to coursing around the building, in wider and wider distances, until his circle included the whole pond. When he had once more made the circuit of this, without getting trail of his master, he lifted his nose from the ground to give utterance to occasional lugubrious howls.

This was impossible. Something must be done at once, or his chief retreat would be discovered. May rapidly descended through the subterranean passage, and appearing at the door of the pavilion, whistled softly. The dog bounded toward him, and May took the letter from his mouth. It was accompanied with a card of “Mr. Burlington Quincy,” as May hurriedly read. Now, Mr. Burlington Quincy bore a name utterly unknown to Austin May.

He looked at the note. It was certainly not in the handwriting of Madame Polacca de Valska, and May breathed a sigh of relief. He opened it.

“My dear Mr. May: (it began)

“I know you will not misinterpret my action, when I write to tell you that our engagement[112] cannot be made known to-day. The bearer of this, Mr. Burlington Quincy, of Boston, I did not know when our pleasant acquaintance began last year, but I feel sure that he is the only man I have ever——”

“Loved,” added May to himself, mechanically, as the first page came to an end. Without troubling himself to read any further, he merely looked at the signature, which was, “yours ever sincerely, Georgiana Rutherford.”

“Bah!” said Austin to himself again, and he crumpled up the letter and threw it upon the pedestal of the Venus of Milo. A very different sort of girl from Georgy Rutherford, she looked at him with an air of dignity offended by his flippancy. Certainly a great weight was off his mind, even if it did leave behind the faintest conceivable smart of irritation. One, at least, was disposed of satisfactorily, and he threw himself into the great arm-chair with a sigh of relief. He wished Miss Rutherford joy of her bargain, though he could not but think it ill-bred of her to choose the replacing victim as the messenger of his release. The[113] only man she had ever loved, indeed! And who was Mr. Burlington Quincy? Well, it mattered little to him.

May looked at his watch; it was seven o’clock. Only five hours more of this awful day remained! His condition was one of absolute nervous prostration; and he looked in a glass to see if his hair had yet turned gray. Could it be that they would none of them appear? He felt almost hungry, but that eating was out of the question for one in his position. He could, however, take a biscuit and a glass of claret; and this he did.

But May was fated that day to have hard luck with his uncle’s wine. Hardly had he begun to sip the glass, when a loud knocking at the very door of his pavilion made him drop it, and again seek refuge in his fountain hiding-place. From there he looked through the jets of water and saw that the knocker was none other than the faithful Schmidt.

“What do you mean by this?” said he, angrily. “Did I not tell you not to come[114] out under any circumstances, unless you heard a pistol-shot?”

But, alas! The effect of the solitude, the heat, and the excitement of his master’s strange behavior had been too much, even for the perfect valet. Moreover, he had felt it his duty to finish all his master’s so precipitately abandoned bottles, lest they should fall into the hands of the enemy. If Mr. Schmidt was not tipsy, it was clear that he soon would be. He had been leaning heavily against the door, and as his master opened it suddenly, he fell into the room, head over heels to the floor; and there, without getting up, he endeavored to bow apologetically, and swayed to and fro with the effort, smiling a meaningless smile and holding a visiting-card in his right hand. May took it mechanically. It was edged in deep black; and upon it he read the simple legend:

May grasped the half-drunken valet by the coat. “And you let her in?” said he.

“I said, m’sieu’,” gasped out poor Schmidt, “that m’sieu’, was here.”

With a groan of mingled rage and terror, May flew to the door and made it fast. Then he took Schmidt by his offending coat and shoved, rather than led, him into the subaqueous passageway. When they emerged upon the island, May said, with a final shake:

“Now, sir, go and tell all the world that I’m not at home—d’ye hear? And come back and tell me; and that you may come back sober, I’ll clear your thick head for you.” And suiting the action to the word, May hurled poor Schmidt through the cool jets of the fountain; and he disappeared with a startling plunge in the waters of the[116] ornamental lake. They were but a few feet deep, however, and Schmidt scrambled to his feet and went wading through the lily-pads to the shore. And in a few moments he came back, still wet, but quite sobered, to the brink nearest the island.

“That she will wait for M’sieur,” came back the answer that May heard; and he sank upon the rustic seat with a feeling that all was over with him. Should he still fly? He could not bring himself to break his word at this late hour. If it could be that the widowed Mrs. Dehon had come all this distance—unwomanly as it was—he could not leave her now. Moreover, it was exactly like her. She was just the woman to take the leap herself, rather than trust herself and her heart-secrets to written words. And as May pulled himself together and went toward the house he wished he could have conjured back one spark of that flame he once felt for her. His crusty old uncle had not foreseen that thus, by the rash heir’s promise, the wise provisions of his will could be evaded. What would his wise uncle have done in a similar situation?—Ordered[117] a monument at Mount Auburn and prepared the remains for it afterward, perhaps. His head was too cloudy to think.

May reached the doors of the house. It was already dark; and he had one last moment of hesitation as he pressed his hand upon the carved-oak door-knob. Then, with a rally of his sense of honor, he turned it and entered the house.

The great hall was quite dark; and Austin had to feel his way to the dining-room, into which, as being the only habitable apartment, Schmidt had had to show the fair Gladys. Here was a single candle burning; and beyond the remains of what was evidently Schmidt’s dinner, just under the Copley portrait of the lady in the lilac dress, sat a solitary figure.

But May started back as he saw it. It certainly was not Gladys. It was—it was a man; and as it rose and came forward to the candle-light there appeared unmistakably the red face and pudgy figure of her elderly husband! For a moment the joyous reaction held May speechless; but then he sprang forward.

But Terwilliger waved him back with the gesture of an M.P. quelling an assembly of constituents; and in his hand he carried a letter. “May I ask, Mr. May, what is the meaning of this?” And Dehon brought the offending document close beneath May’s nose, lying upon his chubby palm; and then slapped it violently with his other hand.

“That, sir, is a letter I found among my wife’s effects.” And beyond all question the letter was in May’s own handwriting. May stared helplessly at Dehon; and Terwilliger glared fixedly at May. And through all the embarrassment of the situation loomed up May’s consciousness, antagonistic as their meeting was, that he was uncommonly glad to see him.

“Is—is Mrs. Dehon with you?” said May, feebly, as the awful possibility occurred to him that they had been divorced.

“My beloved wife is in heaven,” said Dehon, pulling out a large pocket-handkerchief and sinking back into his chair.

[119]“My dear sir,” cried May, grasping both his hands, “I am—unfeignedly sorry to hear it. When did——”

“That, sir,” cried Terwilliger, furiously, “is no answer to my question. Did you, or did you not, write this letter?” And he jumped from his chair and smacked the letter savagely against the dinner-table.

“And now, my dear sir,” said May, his face unconsciously broadening to a smile, “will you not stay and dine with me? I have only——”

But at this the peppery old gentleman positively sailed off the floor in his passion. In vain May told him that he had received nothing from the late Mrs. Dehon but a long course of snubs; in vain May assured him that he himself was more delighted than ever Mr. Dehon could be, that there had never been a possibility of his marrying the lamented Gladys; it was to no purpose that he besought him to stay and dine. He tried to sympathize with Terwilliger in his loss, and Terwilliger grew only the more infuriated. He pointed out to him that his[120] letter had been entirely contingent, to take effect solely upon Mr. Terwilliger’s death; but upon this the old gentleman fairly choked with rage.

Finally poor Austin gave it up. He abandoned all effort to pacify him, and listened submissively to the philippic the indignant Terwilliger poured forth. And, to use the expressive but inelegant phrase of the day, he blew himself off right well. Austin sat and listened with a mind at peace.

A man’s own eloquence is a great relief, and there is no knowing how far Mr. Dehon would have cooled off in time. It is possible that he would have ended by staying to dinner. But, just as he was finishing a most effective exordium, the noise of carriage-wheels was heard outside upon the gravel.

In two strides May was at the window, had thrown open the sash with a crash that shivered all the glass, and hurled himself through it into outer darkness, leaving the astounded Mr. Dehon, one eloquent arm extended in the air, addressing himself most earnestly to the four Copley portraits and the two battle-pieces of indigestible fruit.

Beyond all question this was now the Comtesse Polacca de Valska. She was the only one left. All others were present or accounted for. Again May gained his pavilion, with the fleetness of an Exmoor deer; it was quite dark by this time, and he could run about fearlessly. With a trembling hand he adjusted his dark-lantern, lit the lamp, and fixed the focus full upon the house-front door.

He was just in time to see a veiled and much beshawled lady assisted down from the vehicle that stood at the door; and after a word of colloquy with the driver, she entered the house. May could not see her face; but it was just the figure, he fancied, of the Countess de Valska. The carriage drove away, the front door closed, and all again was silent, save the thumping of poor Austin’s strained and shaken heart. Great[122] heavens! he complained to the harmless Venus of Milo. The worst had been realized indeed.

This time there was no indecision. The only safety lay in flight. When it came to the point of marrying the de Valska, he would be damned if he would. No sooner had he gained this conclusion than he sought to put it in practice. With quick and stealthy steps he gained the stable. A drive of fifteen miles to Framingham would put him on the New York train; and the Umbria sailed on the morrow. Little difficulties with countesses were better understood on European shores.

But alas! it was only to find that the stable-door was locked. He could hear inside the noises of a restless horse, but both fast horse and buggy were beyond his reach. The over-cautious Schmidt had locked them in, and taken the key. May’s heart sank. He looked around for an axe, a log, anything to batter down the door with—he would have set fire to his own stable if necessary; then a brilliant thought occurred to him—of the pistol-shot that was to be the signal to Schmidt in cases of emergency.

[123]He ran back to the pavilion. As he passed the house he thought he heard sounds of angry collocation in the entry. But this was no time for idle curiosity; and he ran on to the pavilion, grasped the revolver, ran back before the house, placed himself in the little clump of pines, and fired. The noises in the house ceased. He fired again.

The second report of his revolver was followed by a wild and shrill screaming in the house. A second after, the front door was violently flung open, and Mr. Terwilliger Dehon burst forth with the celerity of a pellet from a pop-gun. He was immediately and closely pursued by a female figure, screaming violently. After her, all in the focus of the dark-lantern, appeared a gaunt and stooping individual with a shot-gun, which he brought to his shoulder and incontinently fired, aiming, as far as May could judge, at the North Star. Then he threw away the shot-gun and joined in the pursuit; and after him came the faithful Schmidt, in obedience to his master’s signal, once more unperturbed.

[124]But even as he spoke, feminine arms were thrown around his neck, a fainting feminine figure hung about his shoulder, and feminine lips whispered in his ear:

With a gasp of despair, May disengaged her and led her to the front door, where he deposited his precious burden upon the china garden-seat. The countess seemed less graceful than of yore, and she certainty was heavier. But the countess, of course it was.

“Sech a time, Mr. May,” said she. “Me a-comin’ up with the dépôt-man, and findin’ a burglar in the house; an’ the volleys from the ambushes as was outside; an’ Mr. Eastman a-runnin’ for his gun, an’ I chasin’ the burglar; an’ all along of that furriner in the kitchen as left the cellar-door wide open; an’, says I——”

“Mrs. Eastman!” cried May, with a sigh of relief, as if he saw the dawn again. But that heroine’s short-lived valor was exhausted. To chase an elderly burglar out one’s own front door, amid salvoes of musketry, was surely excuse enough for leaning on the shoulder of the first reliable male one[125] met and knew; but the thought of both actions was too much for feminine nerves, and Mrs. Eastman proceeded to get up the best notion of hysterics her Maine training could produce. As for May, he was so glad that it was not the Polacca de Valska that he could have kissed even the elderly housekeeper; but he thought better of it, and consigned her to the tender soothing of her husband.

May went back again to his pavilion. Great heavens, what a day! He looked at his watch. It was already after ten o’clock; and his heart gave a leap of joy. Could it be that the countess would never turn up at all?

He was too much shaken by the excitements of the day to sit still quietly, and count the minutes; so he took to wandering in the driveway about the lake. He was conscious of a marvellous accession of spirits! Poor Mr. Terwilliger Dehon! And May laughed to himself as he pictured their meeting, and the Eastmans taking him for a burglar. What could she have done to drive Dehon in such terror from the house? May wondered what had become of him, and looked with some apprehension lest he should have rushed into the lily-pond.[130] But that was impossible in so light a night. Moreover, he could have waded out. Well, well! he never should have known how to get rid of him. Peace to his widower’s weeds.

The harvest moon had risen, and shone brightly on the familiar fields. Beauty is only relished by the free. How strong and sweet is our memory for places! Each swell of grassy hill seemed like an old playmate; the very contour of the masses of elm-foliage, darkly outlined under the moon, seemed all familiar to him. Every time that May walked by the main gate-way, with the iron cannon-balls, he looked nervously through it; but the white, shady road was clean and empty, and the night was still.

His fortune was almost too great to be believed in, and he looked frequently at his watch, and listened timidly for every sound. Had the countess forgotten him? Had she captured another? Well, Gladys was dead, and Georgiana “was married;” and he sat there, “dipping his nose in the Gascon wine”—still seven years short of “forty year.”

But the night waxed and the moon rose higher, and the white mists began to drift[131] in, stilly, from the distant river; and there was yet no manifestation of the Countess Polacca de Valska.

And at last the village church rang out twelve bells; and the cocks crew; and May pitched his cigar into the lake with a sigh that resembled a benediction. The day was over. That most terrible twenty-four hours of his life was safely passed. He could go to bed and sleep serenely, in the consciousness that no one of his idle old dreams was to be realized, that no folly of his past was to assume shape and confront him now. And all his arsenal of weapons, his laboratory of drugs, his store-house of Dutch courage, had proved unnecessary.

He walked along by the margent of the little lake; and as he did so, a thought struck him. He entered the pavilion and set the fountain playing, in celebration of his deliverance. He threw open all the shutters and the wide door—useless precautions now—and the flood of moonlight streamed again into the familiar old hall. He looked about at the misanthropic pictures, and the moonlight fell fair upon the beautiful Venus of Milo in the corner. He[132] looked again at the old will, and Georgiana Rutherford’s note, and Mrs. Dehon’s visiting-card lying beside it. Through such various fortunes had he tended into Latium.

He patted Fides on his massive head, as the dog walked along beside him. He went back into the house. It was all his own now; all his own, and untrammelled. He called his valet to him.

“Schmidt,” said he, “I am not going to sit up any longer. If anyone comes, I have been here and gone—you understand? I have gone—to Arizona.” Schmidt bowed. He had regained his imperturbability, and was fearful of being discharged. An American servant would have left, and brought an action for his ducking; not so the obsequious Oriental. And Austin May took his candle and went quietly to bed. He had kept his tryst honorably; he had made due tender of himself; and by all laws, human and divine, his three offers of marriage had now expired.

Our hero sank comfortably into the great old-fashioned bed, with a sigh of relief that he could sleep at last in peace. The broad windows were opened, and the moonlight lay across the lawn; and from it came the speech of insects, and of summer birds; far off, one whip-poor-will.

If anyone ever deserved sleep, he thought that he did; but this is not a world where we get our deserts. All night long he lay awake. His mind would go from his infatuation with the de Valska to his passion for poor Gladys Dehon; from the Exmoor hounds to his engagement with Miss Rutherford. He was devoutly thankful that he had escaped them all, and yet the peace he had expected did not come. He heard the familiar old church-bell strike two, and three, and four, as he had heard it in his boyhood,[134] when wakeful for a fishing-excursion, or for some country ride. What was he to do next?

He could not analyze his state of mind. The night hours passed, and still he lay there wondering. The whip-poor-will had some time been silent; suddenly, as if at a wave of an unseen baton, the orchestra of day birds fell to singing. May listened; in eleven years he had not heard them. Then, as suddenly, they stopped. And then the dawn came, one ray of orange sunlight, and the fragrance of the new-born day.

At last he rose, impatiently, and went to the wide window. The sunbeams slid beneath the arching elms and slanted through the sward. Such scenes had been wont to make him happy when he was young—and when he was in love. This was a strange mood for him at thirty-three and free—a mood of melancholy, almost a loneliness.

Even his cold bath failed to restore him. He was glad they had none of them come; he was certain of that. And yet——

As he was dressing, he opened the closet door. There was the broad straw hat, with its pink ribbons, still hanging, faded, on the nail; and suddenly he recognized it. He[135] took it down, and looked at it curiously; and as he sat there, holding it in his hands, the great St. Bernard dog came up and sniffed at it. It was May Austin’s. And as Austin sat there, he remembered that he had loved her.

He walked out upon the lawn again, brushing the dews upon the grass. Fool that he was! First loves were best, after all.

But where was she? He had not heard from her for years. He had never even written, after the Trouville episode. And she—she must have divined that he was false. First loves were best. Oh, cruel Uncle Austin! Yet his own wretched fickleness was the most to blame, after all. His uncle was a cynic; but he had been a young man in love.

Of one thing he was sure—though he had taken eleven years to find it out. Wherever she might be, throughout the world, there he would find her. And he knew now what had been in his mind, that yesterday, when he had walked beside the lily-pond, along the soft path no longer trod by her. Where could she be? First loves were best. And he fell into a reverie.

[136]He was still holding the hat in his hand, and Fides came up again and sniffed at it. There was something in his mouth—was it a glove?

May took the glove, and almost thought he recognized it. It was a woman’s glove, a garden-glove with a long arm—where had he found it?

The dog looked up at him, almost as if he read his thoughts, and then he led the way and Austin followed. He went across the lawn, and through the hedge, to the well-remembered seat in the orchard, by the linden-tree, and there he stopped. And May sat down upon the seat and dreamed.

An hour he sat there, and then he saw a figure coming through the field. And his heart told him that this was May Austin. She did not see him, and he waited there.

When she came out from under the last apple-tree, he saw her stop and waver. She was lovelier still than he remembered her, and he went up to her and took her hand. She blushed, and he could feel it tremble as it lay in his.

An hour later Schmidt was sitting by the front door, smoking his long pipe, when he thought he saw his master crossing the lawn along the lily-pond. But he was walking hand in hand with a young lady. The long pipe dropped from Schmidt’s hand; and

The imperturbable valet was moved to say as much as this, but of further speech remained incapable. May approached.

“And after this I shall not need your services. I will find you a good place (with some of my bachelor friends,” thought May; “poor devils!”). Schmidt still stood there, his broken pipe upon the door-step.

Schmidt made an effort. “There is a letter for monsieur—in the pavilion.” A letter! May trembled to himself once more.

“I must go home,” said May Austin, still blushing violently. She lived in a cottage there, near by, that she had bought with her slender fortune. But May begged her to wait until he had gone to the pavilion, and then he would go with her. He feared that he knew what the letter was. But it had come too late! A thousand countesses could not bind him now.

Law Offices of Vesey & Beames,
3 Court Street, Boston,
August 14, 1886.

Austin May, Esq., Brookline, Mass.

Dear Sir: The eleven years’ delay required by the will of your late uncle, John Austin, having expired to-day, I have much satisfaction in sending you a copy (herein enclosed) of the document contained in the sealed envelope referred to in said will, and constituting his residuary legatee; although, as I am informed that you have never married, the residuary clause of the will does[139] not take effect. The executors hold themselves in readiness to deliver over to you all the securities and title-deeds representing your uncle’s estate upon receiving from you an affidavit that you have not, up to date, contracted a legal marriage.

I have some embarrassment in speaking to you of another aspect of this case, and can only hope you will think I acted for the best. You will remember that immediately after your uncle’s death, I sent you a copy of the will as it was filed for probate. But when it came to a hearing I found that the court utterly refused to allow probate of a will which contained as a most important part the contents of a sealed letter, left in my custody, and the purport of which was unknown to the court. His honor intimated that he considered the will ridiculous in tenor and inartificial in structure; and that it was at least questionable whether the residuary devise was not void, as dependent upon a condition in restraint of marriage. It was in vain that I cited the case where a man chalked his will upon his own barn-door, and the barn-door having been brought into court and copied was allowed to be replaced upon its hinges. The court wholly objected to being made, as it were, a confidant of Mr. Austin’s love projects; and insisted that the sealed letter should be opened then and there, and read to the court, and appended to the will and filed away with it. Accordingly this was done.

But I conceived that I should be best following out the wishes of your uncle and my old friend by not telling you of this. Suspecting that it would never occur to you to inspect the court records, the reporters were paid for their silence, and although you might at any time during the past eleven years have read this sealed envelope, your[140] continued absence abroad leads me to hope that you have never done so.

I am, sir, with great respect,

Faithfully yours,
J. Vesey, Jr.

Austin May dropped the letter from his hands and looked at May. “I might have known it any time these eleven years,” said he.

“Known what?” said she, picking up the enclosure, which had fluttered to the floor.

“Perhaps it is as well,” gasped Austin; and he shuddered as he thought of Mrs. Terwilliger and the scheming Countess. He took the paper from May’s hands and read as follows:

“I, John Austin, gentleman, hereby incorporate this sealed writing, referred to in my will of even date herewith, as part of my said will. Having provided in such my will that in the event of my said nephew, Austin May, becoming married before he attain the age of thirty-five, or before the period of eleven years shall have elapsed from the date of my death, whichever shall first happen, all my property, real and personal,[141] except my said bin of Lafite claret, shall go to my residuary legatee; and having observed a certain tenderness existing between my said nephew, Austin May, and my said niece, May Austin, I hereby nominate and create my dear niece, May Austin, as such my residuary legatee—in the hope that as I, marrying without love, have been unhappy, they, my said niece and nephew, marrying for love alone, giving up all thoughts of worldly advantage, may enjoy the blessings of this world besides.”

“To think that I have waited eleven years!” said he. And he struck his hand against his forehead.

Of the Countess Polacca de Valska, Austin never heard. Terwilliger Dehon remarried, and, for the second time, a very pretty woman; such men always do. The Burlington Quincys have also been married; and Tom Leigh has come to stay at Brookline for this season; and Mrs. Eastman’s reign is ended; but Fides is an honored[142] inmate of the Brookline house. And if you drive by there, some summer afternoon, you will note once more about the windows those frilled and pleated things that denote the presence of a woman’s hand.

Mary Adams.

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DOMESTICUS. A Tale of the Imperial City (12mo, $1.25.).

“Under a veil made intentionally transparent, the author maintains a running fire of good-natured hits at contemporary social follies. There is a delicate love story running through the book. The author’s style is highly finished. One might term it old-fashioned in its exquisite choiceness and precision.”—The New York Journal of Commerce.

George W. Cable.

THE GRANDISSIMES. (12mo, $1.25)—OLD CREOLE DAYS. (12mo, cloth, $1.25; also in two parts, 16mo, cloth, each, 75 cts.; paper, each, 30 cts.)—DR. SEVIER. (12mo, paper, 50 cts.; cloth, $1.25)—BONAVENTURE. A Prose Pastoral of Acadian Louisiana (12mo, $1.25).

The set, 4 vols., $5.00.

“There are few living American writers who can reproduce for us more perfectly than Mr. Cable does, in his best moments, the speech, the manners, the whole social atmosphere of a remote time and a peculiar people. A delicious flavor of humor penetrates his stories, and the tragic portions are handled with rare strength.”—The New York Tribune.

Mary Mapes Dodge.

THEOPHILUS AND OTHERS. (12mo, $1.50.)

“Mrs. Dodge has a marked gift of being constantly entertaining. There is a certain spiciness and piquancy of flavor in her work which makes even the slightest things that come from her pen pleasant and profitable reading.”—The New York Evening Post.

Edward Eggleston.

ROXY. Illustrated (12mo, $1.50)—THE CIRCUIT RIDER. Illustrated (12mo, $1.50)—THE HOOSIER SCHOOLMASTER. Illustrated (12mo, $1.25)—THE MYSTERY OF METROPOLISVILLE. Illustrated (12mo, $1.50)—THE END OF THE WORLD. Illustrated (12mo, $1.50).

The set, 5 vols., $7.25.

“Dr. Eggleston’s career as a novelist has been a peculiar one. His first work achieved a swift and unmistakable success. Its fresh and vivid portraiture of a phase of life and manners, hitherto almost unrepresented in literature; its boldly contrasted characters; its unconventional, hearty, religious spirit, and its reflection of the vigorous individuality of the author, took hold of the public imagination.”—The Christian Union.

Erckmann-Chatrian.

FRIEND FRITZ—THE CONSCRIPT. Illustrated—WATERLOO. Illustrated (Sequel to The Conscript)—MADAME THERESE—THE BLOCKADE OF PHALSBURG. Illustrated—THE INVASION OF FRANCE IN 1814. Illustrated—A MILLER’S STORY OF THE WAR. Illustrated.

Each, 12mo, $1.25.

“Not only are these stories interesting historically, but intrinsically they present pleasant, well-constructed plots, serving in each case to connect the great events which they so graphically treat.”—The Philadelphia Inquirer.

Harold Frederic.

SETH’S BROTHER’S WIFE. (12mo, $1.25.)

“A novel that stands out in clear relief against the fiction of the time. It is made of tangible stuff, is serious without being heavy, brisk and interesting without being flippant; takes hold of real life with an easy yet firm and confident grasp that denotes judicial habits of thought as well as a comfortable mastery of the literary medium.”—The Brooklyn Times.

Robert Grant.

FACE TO FACE. (12mo, paper, 50 cents; cloth, $1.25.)

“This is a well-told story, the interest of which turns upon a game of cross purposes between an accomplished English girl, posing as a free and easy American Daisy Miller, and an American gentleman, somewhat given to aping the manners of the English.”—The Buffalo Express.

Edward Everett Hale.

PHILIP NOLAN’S FRIENDS. Illustrated (12mo, $1.75).

“There is no question, we think, that this is Mr. Hale’s completest and best novel. The characters are for the most part well drawn, and several of them are admirable.”—The Atlantic Monthly.

Marion Harland.

JUDITH: A Chronicle of Old Virginia. (12mo, paper, 50 cts.; cloth, $1.00)—HANDICAPPED (12mo, $1.50).

“Fiction has afforded no more charming glimpses of old Virginia life than are found in this delightful story, with its quaint pictures, its admirably drawn characters, its wit, and its frankness.”—The Brooklyn Daily Times.

Joel Chandler Harris.

FREE JOE, and Other Georgian Sketches. (12mo, $1.00.)

“The author’s skill as a story writer has never been more felicitously illustrated than in this volume. The title story is meagre almost to baldness in incident, but its quaint humor, its simple but broadly outlined characters, and, above all, its touching pathos, combine to make it a masterpiece of its kind.”—The New York Sun.

Augustus Allen Hayes.

THE JESUIT’S RING. A Romance of Mount Desert (12mo, paper, 50 cts.; cloth, $1.00).

“The conception of the story is excellent. It indicates a scholarly research, a sensitiveness to artistic literary effect, and a fine power of selection in material.”—The Boston Traveller.

E. T. W. Hoffmann.

WEIRD TALES. With Portrait (12mo, 2 vols., $3.00).

“Hoffmann knew how to construct a ghost story quite as skilfully as Poe, and with a good deal more sense of reality. All those who are in search of a genuine literary sensation, or who care for the marvelous and supernatural, will find these two volumes fascinating reading.”—The Christian Union.

Dr. J. G. Holland.

SEVEN OAKS—THE BAY PATH—ARTHUR BONNICASTLE—MISS GILBERT’S CAREER—NICHOLAS MINTURN.

Each, 12mo, $1.25; the set, $6.25.

“Dr. Holland will always find a congenial audience in the homes of culture and refinement. He does not affect the play of the darker and fiercer passions, but delights in the sweet images that cluster around the domestic hearth. He cherishes a strong fellow-feeling with the pure and tranquil life in the modest social circles of the American people, and has thus won his way to the companionship of many friendly hearts.”—The New York Tribune.

Thomas A. Janvier.

COLOR STUDIES. (12mo, $1.00.)

“Piquant, novel, and ingenious, these little stories, with all their simplicity, have excited a wide interest. The best of them, ‘Jaune D’Antimoine,’ is a little wonder in its dramatic effect, its ingenious construction.”—The Critic.

Virginia W. Johnson.

THE FAINALLS OF TIPTON. (12mo, $1.25.)

“The plot is good, and in its working-out original. Character drawing is Miss Johnson’s recognized forte, and her pen-sketches of the inventor, the checker-playing clergyman and druggist, the rising young doctor, the sentimental painter, the rival grocers, etc., are quite up to her best work.”—The Boston Commonwealth.

Lieut. J. D. J. Kelley.

A DESPERATE CHANCE. (12mo, paper, 50 cts.; cloth, $1.00.)

“This novel is of the good old-fashioned, exciting kind. Though it is a sea story, all the action is not on board ship. There is a well-developed mystery, and while it is in no sense sensational, readers may be assured that they will not be tired out by analytical descriptions, nor will they find a dull page from first to last.”—The Brooklyn Union.

The King’s Men:

A TALE OF TO-MORROW. By Robert Grant. John Boyle O’Reilly. J. S., of Dale, and John T. Wheelwright. (12mo, $1.25.)

Andrew Lang.

THE MARK OF CAIN. (12mo, paper, 25 cts.; cloth, 75 cts.)

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George P. Lathrop.

NEWPORT. (12mo, paper, 50 cts.; cloth, $1.25)—AN ECHO OF PASSION. (12mo, paper, 50 cts.; cloth, $1.00)—IN THE DISTANCE. (12mo, paper, 50 cts.; cloth, $1.00.)

“It is one of the charms of Mr. Lathrop’s style that it appeals to the imagination of the reader by a delicate suggestiveness, which lies like a fine atmosphere over the landscape of the story. His novels have the refinement of motive which characterize the analytical school, but his manner is far more direct and dramatic.”—The Christian Union.

Brander Matthews.

THE SECRET OF THE SEA, and Other Stories. (12mo, paper, 50 cts.; cloth, $1.00)—THE LAST MEETING. (12mo, paper, 50 cts.; cloth, $1.00)—IN PARTNERSHIP. With H. C. Bunner (12mo, paper, 50 cts.; cloth, $1.00).

“Mr. Matthews is a man of wide observation and of much familiarity with the world. His literary style is bright and crisp, with a peculiar sparkle about it—wit and humor judiciously mingled—which renders his pages more than ordinarily interesting.”—The Rochester Post-Express.

Donald G. Mitchell.

DR. JOHNS. (12mo, $1.25.)

“The author finds scenes and characters enough in a single parish to furnish the staple of the book. There are capital descriptions of parish life, home scenes, love-making, hard cases, and saintly men and women, their ways, habits; in short, all the warp and woof going to make the texture of this isolated rural life. There are few writers in this country who have ever surpassed the author in the description of rural New England life.”—The San Francisco Bulletin.

Fitz-James O’Brien.

THE DIAMOND LENS, with Other Stories. (12mo, paper, 50 cts.; cloth, $1.00.)

“These stories are the only things in literature to be compared with Poe’s works, and if they do not equal it in workmanship, they certainly do not yield to it in originality.”—The Philadelphia Record.

Thomas Nelson Page.

IN OLE VIRGINIA—MARSE CHAN, and Other Stories. (12mo, $1.25.)

“There are qualities in these stories of Mr. Page which we do not find in those of any other Southern author, or not to the same extent and in the same force—and they are the qualities which are too often wanting in modern literature.”—N. Y. Mail and Express.

Howard Pyle.

WITHIN THE CAPES. (12mo, $1.00.)

“Simplicity, earnestness, and directness are the appropriate qualities of a tale supposed to be reeled by an old sea captain as he sits by the chimney corner, stranded in a happy old age. The yarn proves to possess all the wonderful elements of romance and adventure.”—The Boston Journal.

Saxe Holm’s Stories.

FIRST SERIES.—Draxy Miller’s Dowry—The Elder’s Wife—Whose Wife Was She?—The One-Legged Dancers—How One Woman Kept Her Husband—Esther Wynn’s Love Letters.

SECOND SERIES.—Four-Leaved Clover—Farmer Bassett’s Romance—My Tourmalene—Joe Hale’s Red Stocking—Susan Lawton’s Escape.

Each, 12mo, paper, 50 cts.; cloth, $1.00.

“Saxe Holm’s’ characters are strongly drawn, and she goes right to the heart of human experience as one who knows the way. We heartily commend them as vigorous, wholesome, and sufficiently exciting stories.”—The Advance.

Julia Schayer.

TIGER LILY, and Other Stories. (12mo, $1.00.)

“Each of the fine short stories in the present collection is original in subject and unique in treatment, and the story of ‘Tiger Lily’ is, in its way, short as it is, a masterpiece.”—The Critic.

Robert Louis Stevenson.

STRANGE CASE OF DR. JEKYLL AND MR. HYDE. (12mo, paper, 25 cts.; cloth, $1.00)—KIDNAPPED. (12mo, paper, 50 cts.; cloth, $1.00, illustrated, $1.25)—THE MERRY MEN, and Other Tales and Fables. (12mo, paper, 35 cts.; cloth, $1.00)—NEW ARABIAN NIGHTS. (12mo, paper, 30 cts.; cloth, $1.00)—THE DYNAMITER. With Mrs. Stevenson (12mo, paper, 30 cts.; cloth, $1.00).

“If there is any writer of the time about whom the critics of England and America substantially agree it is Mr. Robert Louis Stevenson. There is something in his work, precisely what, it is not easy to say, which engages and fixes the attention from the first page to the last, which shapes itself before the mind’s eye while reading, and which refuses to be forgotten long after the book which revealed it has been closed and put away.”—The New York Mail and Express.

J. S., of Dale.

GUERNDALE. (12mo, paper, 50 cts.; cloth, $1.25)—THE CRIME OF HENRY VANE. (12mo, $1.00)—THE SENTIMENTAL CALENDAR. Head Pieces by F. G. Attwood (12mo, $2.00).

“The author of that very bright, witty, and audacious story, ‘Guerndale,’ has written another, ‘The Crime of Henry Vane,’ which is just as witty in many of its chapters and has more of a ‘purpose’ in its whole structure. No young novelist in this country seems better equipped than Mr. Stimson is. He shows unusual gifts in this and in his other stories.”—The Philadelphia Bulletin.

Frank R. Stockton.

RUDDER GRANGE. (12mo, paper, 60 cts.; cloth, $1.25; illustrated by A. B. Frost. Sq. 12mo, $2.00)—THE LATE MRS. NULL. (12mo, $1.25)—THE LADY. OR THE TIGER? and Other Stories. (12mo, paper, 50 cts.; cloth, $1.25)—THE CHRISTMAS WRECK, and Other Stories. (12mo, paper, 50 cts.; cloth, $1.25)—THE BEE-MAN OF ORN, and Other Fanciful Tales. (12mo, cloth, $1.25.)

“Of Mr. Stockton’s stories what is there to say, but that they are an unmixed blessing and delight? He is surely one of the most inventive of talents, discovering not only a new kind in humor and fancy, but accumulating an inexhaustible wealth of details in each fresh achievement, the least of which would be riches from another hand.”—W. D. Howells, in Harper’s Magazine.

Stories by American Authors.

Cloth, 16mo, 50c. each; set, 10 vols., $5.00; cabinet ed., in sets only, $7.50. Circulars describing the series sent on application to the publishers.

“The public ought to appreciate the value of this series, which is preserving permanently in American literature short stories that have contributed to its advancement. American writers lead all others in this form of fiction, and their best work appears in these volumes.”—The Boston Globe.

T. R. Sullivan.

ROSES OF SHADOW. (12mo, $1.00.)

“The characters of the story have a remarkable vividness and individuality—every one of them—which mark at once Mr. Sullivan’s strongest promise as a novelist. All of his men are excellent. John Musgrove, the grimly pathetic old beau, sometimes reminds us of a touch of Thackeray.”—The Cincinnati Times-Star.

John T. Wheelwright.

A CHILD OF THE CENTURY. (12mo, paper, 50 cts.; cloth, $1.00.)

“This is one of the most thoroughly enjoyable novels that has been published for a long time. It is a story of to-day, of American life and character; a typical story of political and social life, free from cynicism or morbid realism, and brimming over with good-natured fun, which is never vulgar.”—The Christian at Work.

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The Sentimental Calendar,	$2.00
By the Major	Two Passions and a Cardinal Virtue
The Bells of Avalon	Gloriana: a Fairy Story
Mr. Pillian Wraye	In a Garret
The Seven Lights of Asia	Our Consul at Carlsruhe
A First Love Letter	A Tale Unfolded
Bill Shelby	Mrs. Knollys
Passages from the Diary of a Hong Kong Merchant
The Crime of Henry Vane,	Cloth, $1.00
Guerndale,	Cloth, $1.25; Paper, 50 Cents
The Residuary Legatee,	Cloth, $1.00; Paper, 35 cents

SCENE FIRST—THE WILL.
PAGE
I.	Ulysses and Penelope,	3
II.	The Pavilion by the Lilies,	14
III.	Paul and Virginia,	24
SCENE SECOND—THE CODICIL.
I.	An Iroquois in Trouville,	37
II.	Theseus and Ariadne,	45
III.	Dido and Æneas,	56
SCENE THIRD—THE ADMINISTRATION.[vi]
I.	The Judgment of Paris,	67
II.	A Lead of Hearts,	72
III.	Perseus and Andromeda,	82
SCENE FOURTH—THE FINAL ACCOUNTS.
I.	Æneas and Camilla,	93
II.	The Idyl of Anteros,	102
III.	The Uncertain Glory of a New York Girl,	109
IV.	The Keeping of the Tryst,	115
V.	The Return of the Countess,	121
SCENE FIFTH—THE RESIDUARY BEQUEST.[vii]
I.	The Order of Discharge,	129
II.	A Prior Mortgage,	133
III.	The Posthumous Jest,	137

The Residuary Legatee

CONTENTS.

Scene First
THE WILL

I.
ULYSSES AND PENELOPE.

II.
THE PAVILION BY THE LILIES.

III.
PAUL AND VIRGINIA.

Scene Second
THE CODICIL

I.
AN IROQUOIS IN TROUVILLE.

II.
THESEUS AND ARIADNE.

III.
DIDO AND ÆNEAS.

Scene Third
THE ADMINISTRATION

I.
THE JUDGMENT OF PARIS.

II.
A LEAD OF HEARTS.

III.
PERSEUS AND ANDROMEDA.

Scene Fourth
THE FINAL ACCOUNTS

I.
ÆNEAS AND CAMILLA.

II.
THE IDYL OF ANTEROS.

III.
THE UNCERTAIN GLORY OF A NEW YORK GIRL.

IV.
THE KEEPING OF THE TRYST.

V.
THE RETURN OF THE COUNTESS.

Scene Fifth
THE RESIDUARY BEQUEST

I.
THE ORDER OF DISCHARGE.

II.
A PRIOR MORTGAGE.

III.
THE POSTHUMOUS JEST.

The Residuary Legatee

CONTENTS.

Scene First THE WILL

I. ULYSSES AND PENELOPE.

II. THE PAVILION BY THE LILIES.

III. PAUL AND VIRGINIA.

Scene Second THE CODICIL

I. AN IROQUOIS IN TROUVILLE.

II. THESEUS AND ARIADNE.

III. DIDO AND ÆNEAS.

Scene Third THE ADMINISTRATION

I. THE JUDGMENT OF PARIS.

II. A LEAD OF HEARTS.

III. PERSEUS AND ANDROMEDA.

Scene Fourth THE FINAL ACCOUNTS

I. ÆNEAS AND CAMILLA.

II. THE IDYL OF ANTEROS.

III. THE UNCERTAIN GLORY OF A NEW YORK GIRL.

IV. THE KEEPING OF THE TRYST.

V. THE RETURN OF THE COUNTESS.

Scene Fifth THE RESIDUARY BEQUEST

I. THE ORDER OF DISCHARGE.

II. A PRIOR MORTGAGE.

III. THE POSTHUMOUS JEST.

Scene First
THE WILL

I.
ULYSSES AND PENELOPE.

II.
THE PAVILION BY THE LILIES.

III.
PAUL AND VIRGINIA.

Scene Second
THE CODICIL

I.
AN IROQUOIS IN TROUVILLE.

II.
THESEUS AND ARIADNE.

III.
DIDO AND ÆNEAS.

Scene Third
THE ADMINISTRATION

I.
THE JUDGMENT OF PARIS.

II.
A LEAD OF HEARTS.

III.
PERSEUS AND ANDROMEDA.

Scene Fourth
THE FINAL ACCOUNTS

I.
ÆNEAS AND CAMILLA.

II.
THE IDYL OF ANTEROS.

III.
THE UNCERTAIN GLORY OF A NEW YORK GIRL.

IV.
THE KEEPING OF THE TRYST.

V.
THE RETURN OF THE COUNTESS.

Scene Fifth
THE RESIDUARY BEQUEST

I.
THE ORDER OF DISCHARGE.

II.
A PRIOR MORTGAGE.

III.
THE POSTHUMOUS JEST.