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2012, Erciyes Üniversitesi Fen Bilimleri Enstitüsü Fen Bilimleri Dergisi
Tekstil ve Mühendis
Soğan (Allium Cepa) Yumru Dış Kabuğundan Doğal Boyarmadde Ekstraksiyonu ve Deri Boyamada Kullanımı2012 •
2020 •
Dogal boyalarin en buyuk kaynagi olan bitkiler, insanligin baslangicindan beri renklendirici madde olarak kullanilmaktadir. Bu calismada, surdurulebilir ve yenilenebilir kaynakli tekstil uretimi icin yeni bir alternatif olabilecegi dusunulen kanarya otunun pamuk liflerinin boyanmasinda kullanilabilirligi arastirilmistir. Kanarya otu (Senecio vernalis) bitkisinin tac yapraklarindan ekstrakte edilen dogal boya kullanilarak farkli konsantrasyonlarda boya flotteleri ile boyama islemleri gerceklestirilmistir. Boyama sonrasinda boya flotte konsantrasyonlari UV-gorunur alan spektrofotometresi kullanilarak tayin edilmis ve bu sayede kumas uzerine boya cekimi tespit edilmistir. Kumaslarin spektrofotometrik renk analizi gerceklestirilmis ve hasliklari incelenmistir. Sonuc olarak, kanarya otu bitkisinin tac yapraklarinin kullanimi ile pamuklu kumaslarin renklendirilebilecegi ve uygun calisma kosullari ile genel olarak yeterli hasliklarin elde edilebilecegi bulunmustur.
Folklor Akademi Dergisi
Pamuklu Kumaşların Doğal Boyarmaddelerle Boyamasında Mikrodalga Kullanımının Etkilerinin İncelenmesi Analyzing the Effects of Microwave on Natural Dyeing of Cotton Fabrics2020 •
Artan çevresel farkındalığın bir sonucu olarak, tekstil ürünlerinin doğal boyarmaddelerle renklendirilmesi ve boyama proseslerinde ekolojik üretim yöntem ve teknolojilerinin kullanılması her geçen gün daha çok önem kazanmaktadır. Hızlı, homojen ve etkili ısıtma sağlayan mikrodalga teknolojisi, tekstil yaş işlemlerinde çevre dostu alternatif yeni bir yöntem olarak ilgi çekmektedir. Mikrodalga teknolojisinin, pamuklu kumaşların kökboya ile renklendirilmesinde kullanımının konvansiyonel boyama ile kıyaslanması amacıyla gerçekleştirilen bu çalışmada, %100 pamuklu dokuma kumaşlar, kökboya (Rubia tinctorum L.) kullanılarak hem konvansiyonel yöntemle hem de farklı sürelerde mikrodalga enerjisi kullanılarak boyanmıştır. Boyamalar hem mordansız, hem de mordan (şap ve sirke) kullanılarak gerçekleştirilmiştir. Boyamalar sonucunda elde edilen kumaşlara renk ölçümleri ve sürtme haslığı testleri yapılmış ve sonuçlar, karşılaştırmalı olarak değerlendirilmiştir. Çalışmanın sonuçları pamuklu kumaşların kökboya ile boyanmasında mordansız ve sirke mordanı ile boyamalarda mikrodalga yönteminin konvansiyonel boyamaya göre renk ve sürtme haslığı özellikleri bakımından üstün sonuçların yanı sıra zaman ve enerji tasarrufu sağlayan güçlü bir alternatif oluşturduğunu ortaya koymuştur.
Uluslararası Geleneksel Sanatlar Sempozyumu 20-21 Nisan 2017 Trabzon –Türkiye
Sultan II. Abdülhamid Dönemi MobilyasıKültür tarihinin içerisinde önemli bir yere sahip olan mobilya, salt işlevselliğin ötesinde farklı malzeme ve estetikle zaman içinde statü belirleyen bir simgeye dönüşürken aynı zamanda içinde bulunduğu kültürün toplumsal, ekonomik ve siyasi yapılanmasıyla da birlikte gelişim gösterir. Bugün sınırları her ne kadar kesin bir çizgi ile belirlenmemiş de olsa Doğu ve Batı olarak tanımlanan iki coğrafyanın mobilyaları, zaman içinde ait oldukları toplumsal yaşamın da göstergesi haline gelirler. Osmanlı toplum yapısında geleneksel yaşamın getirdiği sınırlı sayıda eşya kullanımı söz konusudur. Mekânla bütünleşen nişler, yüklükler ve sedirler ana mobilya grubunu oluştururken, sandık ve yer sofrası da tamamlayıcı unsurlar olarak devletin son yüzyılına kadar kullanılırlar. Her ne kadar 17. yüzyılın ilk yarısı Osmanlı‘da Batı kaynaklı mobilyanın giriş tarihi olarak belirtilse de gündelik hayatın içinde bir ihtiyaç nesnesi haline gelmesi 19. yüzyıla tarihlenir. Özellikle 1839 yılı bir dönüm noktası olarak kabul edilir. Tanzimat Fermanı’nın ilanı ile başlayan değişim ve dönüşümlerin örgütsel olarak yerleşimi geleneksel yaşamın önceliklerini de etkiler ve yeni tüketim alışkanlıklarını ortaya çıkarır. Yeni ihtiyaç nesnelerinin varlığı yüzyıl içinde alafrangalılaşmaya paralel olarak gelişim göstermeye başlar. Yeni inşa edilen binalar ve bunların iç dekorasyonlarının zorunlu kıldığı yeni mobilyalarda bu gelişimi destekler. Bu tarihten itibaren mobilya, artık dekorasyonu tamamlayan Batı kaynaklı bir aksesuar olmanın ötesinde, yaşam alanı içinde kendisine yer edinmiş bir ihtiyaç nesnesidir. Sultan II. Abdülhamid dönemi mobilyasını konu alan bu çalışmada, 19. yüzyılın ikinci yarısının siyasi ve toplumsal yapısının dönemin üslubuna ve kullanım eşyalarına olan yansımasına kendisi de usta bir marangoz olan Sultan II. Abdülhamid dönemi mobilyaları üzerinden bir okuma yapılmıştır.
2009 •
TEZ7359Tez (Yüksek Lisans) -- Çukurova Üniversitesi, Adana, 2009.Kaynakça (s.96-99) var.In this thesis, bio-polishing, which is one of the most recent and conventionally used method of pretreatment for anti pilling in textile finishing, and its effects on quality of various performance properties of fabrics when applied after dyeing were reviewed. In the study, the influences of enzyme application on the color characteristics, pilling degrees, fastness and CIELab color values of knitted fabrics have been analyzed regarding the concentration and chemical structure of enzyme, tone of color and viscone fiber contents of the fabrics. For this aim in the research, %100 cotton and %75-25 Cotton-Viscone (cotton fiber is same in two fabrics) knitted fabrics were used. Both samples were dyed into two different tones (dark and light tone) of the same colour at current industry conditions. After dyeing, cellulase enzymes in 3 different chemical structure (standard, modify and endo-enriched cel...
THE HISTORICAL DEVELOPMENT OF TEXTILE RAW MATERIAL DYEING AND DYESTUFFS
TEKSTİL HAMMADDELERİNİN BOYANMASININ TARİHSEL GELİŞİMİ VE BOYARMADDELER2019 •
In Nature -the living environment of creatures- nothing is created against their benefit. Human being, in need of interacting with nature continuously, have adapted to the environment with the struggle ability given by the creator and maintained life by supplying the needs such as nutrition, sheltering and dressing by using sources found in the natural environment. After providing these basic needs, secondary needs such as appreciation and favor has derived and human has sought for ways to fulfill them. Although it is assumed that the variety of imageries made on the cave walls have been made with magical reasons or in order to be protected from evil, they reach the present day as the first aesthetic arts they produced. It is determined by the analysis made on the extant foundlings that they have dyed these imageries by proceeding elements of their environment. Following the forager period, the agricultural society order which came along with domestication of animals has created a permanent settlement order and people has built one room places in order to fulfill their needs such as nutrition, sleeping, heating to maintain life. It is understood by archaeological foundlings that they have used the straw they have woven out of various plant scapus, besides the fireplace in order to heat these shelters. During the ongoing process, by the help of their natural observation abilities, they realized that fleece and goat hair is handy for various weavings and they produced coarse cloth called felt, out of fiber. Later, by stringing the wool and hair with tools they created, they developed new cloth types called textile, with wattling technique. Though they have used natural fleece to produce weavings previously, later on they noticed that some plants and animals they used probably for their daily needs react to water and other elements and they thought to apply them on the strings they produced. That kind of awareness focused them on the subject and urged them to research on creatures of their environment. In due course, animal and plant parts turned out to be dyestuff sources used for embellishing and encolouring daily used items. Dyestuff is the material used for encolouring items. This process is fulfilled by applying dyestuff on the item or dipping the item into the dyestuff. In the art of weaving, dyeing is applied on strings or weavings and is a valuable fact for the product as well as design and material. Dyeing the strings used for weaving production consist of three phases - mordant, dyeing and washing. Mordant is the process on which the dyestuff is fixed on the wool by the help of a chemical and this process can be fulfilled by three methods: either the sting is dipped into the mordant for nearly one hour before dyeing or mordant is boiled with string and dyestuff at the same time or the string is first dyed then mordanted. In the dyeing process wool string is steeped into colouring plants and water until it gets the required colour tone. The last phase, washing is made to clean the leftovers of dyestuff on a string and the string is let to dry. Besides providing better fixing of the dyestuff on the string, mordants are also useful for providing various tones of the same colour. Mordant materials can be categorized as natural and chemical. Mordants such as pelite, verjuice, vinegar, petitgrain extract, mole plant milk, oak root, cattle urine, stone algae, clay, lime, yeast, walnut tree runners, wood ash are natural while alum, copper vitriol, green vitriol, potassium bichromate, cream of tartar, sodium sulphate, copper sulphate are chemicals. Sources indicate that mostly used mordant is alum while cattle urine has better fixing quality and these dyeings are more proof against light and washing. The amount of excipients used may differ up to weight of the wool. Organic dyestuffs are used for dyeing of weaving strings. These dyestuffs are sorted into two groups as "natural" and "synthetic". Dyeings made with various minerals or plant or animal originated (organic) pigments are called as natural dyeings. These dyeing materials are commonly used in weavings. These dyestuffs are sorted under two headlines as plant originated and animal originated dyestuffs. In the areas where a wide range of plant habitat exist, it is observed that dyeing creftsman have studied to produce new colours and that progressed the art of dyeing and creation new colours. The most appropriate fibers for natural dyeing are products of cotton, linen, wool, silk, hemp, cannabis. After these fibers turn into strings, they are mostly encoloured by plants. While some plants are throughoutly used, only flowers, leaves, roots, barks of some plants are also used. Plants used for dyeing process maybe evaluated as dry or fresh. Salvia, grape leaf, almond tree, rhamnus, walnut, bay leaf, Judas tree blossom, heather leaf, Dutchman's breeches, poppy, indigo, hypericum, woald, mint, coton weed, onion, mole plant, jasmine, olive etc. are some of the plants which are used as dyestuffs. Observations and experiments indicate that some animals also have natural dyestuff. People produced dyes with the pigments of parasites such as Ararat kermes, cochineal, lacca, porphyrophora Polonica, of sea creatures such as murex (brandaris, turunculus), purpura stramonita or camel and elephant bowels and they encoloured the weavings made of linen and silk with these dyestuffs. Besides organic dyes, it is known that synthetic dyes have also been used as dyestuff. First synthetic dyestuff is invented by English chemist William Henry Perkin in 1856. That purple coloured dye was obtained from benzene and named fuschine. Three years after the invention of this dyestuff, another dyestuff named mauveine was invented in France and after these two inventions, researches were made to invent new colours. These inventions have been huge steps to produce the colours which are difficult to be obtained from natural dyestuff. Although this kind of dyestuffs have been the source of new colours for weavers as they were affordable and accessible, they are not of good quality and proof like natural dyestuffs. Furthermore this invention is a major blow on natural dyestuff production. Production of these synthetic dyestuffs is easy and effortless and the result is predictable. Besides these positive sides of synthetic dyestuff, it is known that they also have negative sides. First of all they are not proof and tend to fade easily. They also have great risks on human health. It is necessary that the usage of these health risking dyestuffs should be restricted or even banned. In order to dye weaving strings by natural patterns and reach previous quality level, it is important to promote the usage of dye plants and animal sources which were used centuries ago. It is known that various cooperatives, some academic members of Rug - Carpet Department of Fine Arts Faculties of universities have been studying on the subject and in order to enhance natural dyeing, researches have been held within Natural Dyestuff Research and Development Project a.k.a DOBAG. But none of these are sufficient to sustain non abstract cultural heritage. Specialist who study on this field should be supported materially and promoted. Besides mentioned studies, it is important to detect string dyeing craftsmen in territories where weavings are done and to gather and archive recipes using their information on natural dying. As a matter of fact, it is important to transfer the natural dyeing techniques to textile industry and lead up the new generations to wear naturally encoloured healthy clothes. This may somewhat prevent some malign diseases caused by chemicals. As a result, with these nature friendly practices, people will be more aware and sensitive to the environment and they will consider that everything they can use is in nature and what matters is seeing, not looking.
Folklor Akademi Dergisi, Prof. Dr. Feriha Akpınarlı Armağanı
Folklor Akademi Dergisi, Cilt 3, Sayı 4, Prof. Dr. Feriha Akpınarlı Armağan Sayısı2020 •
ICUHTA, I. Uluslararası Sanatta Yüksek Teknoloji Kullanımı Kongresi
YEŞİL ÇAY İLE DOĞAL BOYAMA ÇALIŞMALARI VE HASLIK DÜZEYLERİNİN BELİRLENMESİ2018 •
Özet Tarihin çok eski dönemlerinden beri doğada bulunan kaynakları kullanarak elde edilen boyarmadde, tekstilde ve daha birçok alanda kullanılmıştır. Bitkisel boyalarla boyama doğrudan yapılabildiği gibi, boya banyosuna bazı maddeler ilave edilerek de yapılmaktadır. Bu maddeler mordan adı ile anılmakta ve bir tek boya bitkisinden farklı mordan maddeleri kullanılarak birçok renk tonu elde edilebilmektedir. Bitkisel boyacılık için bitkinin yetiştiği toprak, iklim, toplama zamanı ve koruma şartlarının uygun olması önemlidir. Türkiye sahip olduğu coğrafi özellikleri ve ekolojik zenginlikleri ile birçok türün, kaliteli bir şekilde yetiştirildiği bir ülkedir. Bu konuya en güzel örneklerden biri Doğu Karadeniz bölgesidir ve burada yetiştirilen çayın, dünyada çay yetiştiriciliği yapılan bölgeler içerisinde kaliteli üretim sıralamasında olması önemlidir. Çay nemli iklimlerde yetişen, doğada büyümeye bırakıldığı zaman ağaç görünümünü alan bir tarım bitkisidir. Doğu Karadeniz bölgesinde en çok Rize, Giresun ve Ordu illerinde tarımı yapılmakta ve Camellia sinensis türü yetiştirilmektedir. Bu çalışmada, çay bitkisi ve doğal mordanların farklı hammaddeler üzerindeki boyama etkileri araştırılarak, haslık değerlerinin belirlenmesi amaçlanmıştır. Çayın her yıl gençleştirmek için kesilen ve atık olan %10’luk kısımları kullanılarak, buharda bırakma sonucu elde edilen boyarmadde ile yün, pamuk, ipek iplik ve kumaşlar boyanmıştır. Boyamada doğal mordanlardan yaş hamur mayası, bira mayası tortusu, killi kaya tuzu ve mantar suyu kullanılmıştır. Mordansız, birlikte mordanlama, ön mordanlama ve son mordanlama yöntemleri uygulanan toplam 78 adet numunenin ayrıca haslık testleri yapılmış ve sonuçlar değerlendirilmiştir. Abstract Dyestuffs obtained by using resources found in nature since ancient times of history have been used in textiles and many other areas. Dyeing with plant dyes can be done directly as well as by adding some substances to the dye bath. These materials are referred to by the name of the mordant and a variety of colors can be obtained using different mordant materials from a single dye. For plant dyeing, it is important that the soil, climate, collection time and conservation conditions that the plant grows to be suitable. Turkey is that many species and geographical features and ecological wealth of the owners, is a country that bred in a quality manner. One of the most beautiful examples of this subject is the Eastern Black Sea region and it is important that the tea grown here is in high quality production order within the regions where tea cultivation is done in the world. Tea is an agricultural plant that grows in humid climates and takes the look of trees when grown up in the forest. Tea is an agricultural plant that grows in humid climates and takes the look of trees when grown up in the nature. The eastern Black Sea region is mostly cultivated in Rize, Giresun and Ordu, and Camellia sinensis species is cultivated. In this study, it was aimed to determine the fastness values of tea plant and natural mordants by investigating the dyeing effects on different raw materials. The tea is dyed wool cotton silk yarn and fabrics with the dyestuff obtained as a result of the stamina, using 10% of waste which is cut and reused every year for rejuvenation. In the dyeing, wet yeast, clayey rock salt and mushroom juice were used from natural mordants. A total of 61 samples without mordant, together with mordant, pre-mordant and last mordant methods were also tested for fastness and the results were evaluated.
Ilustre Colegio Oficial de Doctores y Licenciados en Filosofía y Letras y en Ciencias de la Comunidad de Madrid
Excavacion Arqueologica en Plaza De San Diego 5 Novedades en El Estudio De La Evolucion Medieval y Moderna De Alcala De Henares2018 •
Süleyman Demirel Üniversitesi Fen Bilimleri Enstitüsü Dergisi
İpek Kumaşların Bitki Yaprakları ile Bölgesel Desenlendirilmesi2018 •
The Medical journal of Australia
Is reflexology an effective intervention? A systematic review of randomised controlled trials2009 •
Our Cups Are Full: Pottery and Society in the Aegean Bronze Age Papers presented to Jeremy B. Rutter on the occasion of his 65th birthday
Our Storerooms Are Full. Impressed Pithoi from Late Bronze/Early Iron Age east Lokris and Phokis and their socio-economic significance2011 •
2009 •
Open Scholarship Initiative Proceedings
Information Overload and Underload2016 •
2005 •
SSRN Electronic Journal
On the Taxing of Migrants’ Earnings While Retaining a Migrant Workforce2018 •
Frontiers in Endocrinology
Expanding the Role of Thyroid-Stimulating Hormone in Skeletal Physiology2017 •
International Journal of Electrical Power & Energy Systems
Load frequency control of power system under deregulated environment using optimal firefly algorithm2016 •
Clinical Rehabilitation
Home-based step training using videogame technology in people with Parkinson's disease: a single-blinded randomised controlled trial2018 •
Proceedings of the National Academy of Sciences
Phase separation explains a new class of self-organized spatial patterns in ecological systems2013 •
Acta Polytechnica CTU Proceedings
The Fatigue Behaviour of GFRP Bars - Experimental Study2019 •
Otolaryngology-Head and Neck Surgery
Squamous cell carcinoma of the tongue in young adults: Increasing incidence and factors that predict treatment outcomes2000 •
Instrumentation Science & Technology
Adsorption Microcalorimeter and its Software: Design for the Establishment of Parameters Corresponding to Different Models of Adsorption Isotherms2005 •
Hüseyin Göktepe